And we’re back!!!!!!!!!!!!!! Here’s to a great 2019!!!!!!!!!!!!!!
Let’s get right to it, shall we?
I was at a commercial audition recently and we were all put together into groups of four. And as you may or may not know, first impressions are everything when you walk into an audition room. Hell, first impressions are everything when you walk into ANY room (the bank, the grocery store, etc.) How you walk into a room is everything.
In the case of audition rooms, the casting directors immediately get a sense of who you are as a PERSON when you walk in. Is this person’s attitude light and fun? Or is their attitude dark and hostile? Is this someone I want to hire and work with on set? Your life force coming into a room is vital because the people in the room either like you immediately or they don’t. I have been a reader for casting directors. I have cast my own projects. I know the power of life force. You know immediately if you like someone or not just by them walking into the room. It’s ENERGY.
So, I say all of this because whenever I walk into an audition room, I am coming in with life force and I maintain that life force throughout the entire audition. I walk in with certainty. I am interested in the people in the room. I am present. I am aware that there is a camera in the room and that it may already be on. That camera may already be live and streaming into the office next door or into the office in another city. They already may be watching you. Or, the camera may be off and then it comes on right before they ask you to slate.
So, my point is that we need to be aware of our life force in the room. We can’t turn it off or forget about it at any point in the audition room. If we let go of our life force and become dead in the room and that camera is already on and streaming, what impression are we giving to the people watching us? Similarly, if we let go of our life force and become dead in the room and the camera isn’t on, then do we ramp up our life force and get ready again when they ask us to slate? Come into the room with life force and maintain it. In this way, it’s always there. It’s always present. You don’t have to get ready to stay ready. You don’t have to keep ramping up your life force on and off. On and off. On and off. Am I making any freaking sense?
Maintaining your life force during the whole audition is an energy that is palpable and exciting.
So, my group goes into the audition room and my life force is on. I’m interested and engaged in a real way with the session runner in the room. My group stands in a line and I immediately noticed that the other three had no life force. They were not engaged or present. They were just standing there. And the camera is pointing right at us. Again, is it already on? Is this thing on???????????????????
The session runner asked us to slate one at a time to the camera. I went first and I delivered a great slate. I was already living in my life force and so my slate was a natural extension and continuation of it. I didn’t have to ramp up. I didn’t have to get ready to do my slate. I was already in my life force and my slate was the extension and continuation of it. Stay in it. Maintain your life force. I watched the other three actors slate and they all did the same thing: They came to life when they slated and then went lifeless after they slated. It was so interesting and fascinating to watch. They turned on like a lightbulb when they slated and then they turned off after they slated. Not one maintained their life force.
And now by this point, we all know the camera is DEFINITELY on and recording. Don’t assume that just because you’ve slated that you can now go back to your inactive state. Don’t assume that the camera has moved over completely to the next person. Don’t assume that the camera hasn’t pulled out into a wide shot after the slates to get a full shot of the group. Imagine that: The camera is in a wide shot recording all of us and you look out of it. Or you look lifeless. Or you look like you have an attitude. Or you look like you don’t want to be there. I’m looking over at them like: “This is supposed to be fun!!!!!!! This is not a funeral!!!!!!!”
Again, life force. And I don’t mean you do cartwheels in the room and run for mayor hoping to be liked. I’m not talking about phony presentation and over-the-top theatrics. Because that energy also reads negatively in the room. That is also off-putting. Life force is connected to your purpose. Your sense of self. Your certainty. When you walk in, does the room light up? Do you make the room better? When I teach the Professional Development Program class at the Richard Lawson Studios, I ask the students after they watch their auditions: “Would you hire you?”
Back to my audition. So after we all slated, the session runner asked us to share a story about who inspires us. Again, I went first and delivered my story. I was a person in a place sharing a story. When I was done, I maintained my life force and listened with interest to each actor who went after me. I was engaged and present. However, each actor did the same thing again: They came to life when they told their story and they went lifeless after their story. Not one actor listened to the other actors’ stories. They just stared off into space like, “Is this over yet?” Again, like they didn’t want to be there. Like this wasn’t fun and exciting. JESUS MOTHERFUCKER!
When you go to an audition, maintain your life force from start to finish because that camera may already be on, you don’t know who else is watching you from another room and you also don’t want to rev up, amp up, re-ignite, turn on and off your life force. It’s like turning a car on and off. On and off. On and off. Turn that sucka on and let that engine purr from start to finish.