Tag: screenwriters

What Is Your Artistic Reason For Existence?

Chasing The George

Raison d’être: reason for existence. the most important reason or purpose for someone or something’s existence.

What is your raison d’être? Why do you get up every day to be an artist? What is the engine that keeps you going in the creation, passion, and involvement of your art? I would love to read yours in the comments section! Check out my raison d’être below…plus a picture of me embracing and expressing it as a young kid in kindergarten.

I AM HERE. And I am here to create. Art is the motherfucking vehicle for me. I am the most alive, happiest, and dangerous when I am creating art. I am a star of the worlds I create and I can be whatever I want to be in those worlds. I do not limit myself because others limit themselves or because of societal expectations, prejudices, and stereotypes. I love being seen and heard through art. TO BE SEEN! TO BE HEARD! Because my face matters. My voice matters. My stories matter. You see and hear me because art is powerful. It is universal. It transcends all. The time is now. I have always wanted to be–and have always been–the exception to the rule of what I can do/am supposed to do, and art allows me to do that. When I utilize art to be the exception to the rule, I body slam myself into endless possibilities, and as a result, I body slam humanity into having an experience. And through my work ethic, my professionalism, my empathy, my tough love, my God-given talents, my creativity, my charm, humor, irony, my intelligence, my assets and my liabilities, the world will see living proof and testament that Superman is also brown and queer. Keep reading below 🙂

**I don’t remember this teacher’s name, but I thank her so much for encouraging me to play and be an artist…to live in my raison d’être before I even knew what that word was! See picture below 🙂

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What To Do If The Writers Strike.

Chasing The George

Some of you have already been following the news regarding the ongoing talks and negotiations between the Writers Guild of America and the Alliance of Motion Picture & Television Producers. With the Writers Guild officially calling for a strike authorization vote with its members (voting runs from April 11th through April 17th) and with strong vocal support from various writers to vote yes, it is looking more POSSIBLE that a strike could occur.

From Deadline: “Now we need to demonstrate that determination. You can help by voting yes on strike authorization, to give your leadership the leverage to make the strongest possible deal before deadline or to call a strike after May 1st if the companies are unwilling to meet our reasonable demands. Throughout April, WGA negotiators will continue to work toward the goal of a fair contract for writers,” it added. Luvh Rakhe, an exec producer on Dave and Mo, who is on the negotiating committee, explained to members what such a move means. “Asking for an SAV is a step that unions often take to demonstrate resolve and support for the bargaining agenda in negotiations. Passing an SAV does not mean we automatically go on strike,” Rakhe said in a video. “Instead, it would give our West board and East Council the authority to call a strike after the expiration of the current MBA contract on May 1, if that’s what’s necessary to get a fair deal for writers.” Keep reading below 🙂

As actors, what do we do IF the writers go on strike? I would love to use this forum as an opportunity to exchange empowering ideas on what we can do if a strike occurs. It reminds me of when the writers last went on strike for 100 days from late 2007 into early 2008. It also reminds me of when the Covid-19 pandemic shut down the entire world. What do we do when our industry shuts down for an unknown period of time? In this instance, what do we do if Hollywood shuts down…again? And yes, I’ve read articles that studios have stockpiled on scripts and have moved up and rushed production schedules to anticipate a strike, but what if Hollywood eventually shuts down? Keep reading below 🙂

The first thing I can think of is to support the writers. Support comes in many forms. Support the writers. We are all in this together. We bring their words and characters to life. SAG-AFTRA’s current contract expires on June 30th, 2023 and they are going to be at the negotiating table as well with the AMPTP starting on June 3rd. I’ve sat in on a few LA local meetings earlier this year and it was informative to hear fellow actors talk about the issues they want our leaders to bring to the bargaining table such as additional protections, credits, wages, compensation, etc. So, support the writers. Keep reading below 🙂

What else can we do if Hollywood shuts down? Do we just take a break or a vacation? I know I can’t because when things open up, I want to be ready. I want to stay ready so that I don’t have to get ready. No different from what I did when the pandemic shut everything down. I was so productive during that time in order to stay ready. Staying ready allowed me to transition easily into the world of self-tape auditions when Hollywood reopened. I attended different Zoom panels and discussions to broaden my knowledge. I revisited and tightened up a couple of scripts. I attended casting director workshops. And many other examples. So for all of you out there, what can you do to stay active? Here are some ideas: Enroll in an acting class. Learn a new artistic skill set. Read plays. Update your demo reel. Create a business plan for your career. Enroll in a writing class to appreciate the craft of writing and storytelling. Build and nourish your relationship map. Ultimately, look at what YOU need to do to keep your artistry sharp and alive should Hollywood shut down. Keep reading below 🙂

I’d love to hear your ideas in the comments section on how we can support our fellow writers and on how we can artistically support ourselves if Hollywood shuts down.

What Are Your 1st Quarter Wins?

Chasing The George

Hello! The first quarter of the year is done, and a second one has begun. Time flies by, doesn’t it?! I thought this would be a good moment to reflect on some of my career wins of 2023. I’d also love to read your wins in the comments section below. This career is for life. It can get easy to lose perspective and think we are not gaining, growing, accomplishing, or winning. It’s easy to forget how great we are. So it’s important to take stock of our wins so that we remain in a state of gratitude within the “grind” of our careers. It also lets me see the A to B to C to D of my progression from one day/week to the next. I see exactly how I have been putting this puzzle together for what I want to achieve this year on the acting and writing sides. So sit back (or lean forward), jump into some of my wins, and I hope to inspire you to take stock of your wins and share them with others.

Acting wins: *Self-tape audition for a role in “Hacks”. *Uploaded my new theatrical headshots onto Actors Access, Casting Networks, Casting Frontier, and IMDB. *Created a pitch “For Your Consideration” email for my agent. *Came back to Scene Study 3.0 at the Richard Lawson Studios and started attending the first four weeks via Zoom. Now, I’m physically back in person. *Submitted my picture and resume to a feature film. *Secured commercial representation. *Celebrated the 29th annual SAG Awards and concluded my time on the SAG Awards Nominations Committee. *Celebrated the Academy Awards. *Casting director Stacey Pianko provided feedback on my self-tape audition as part of the SAG-AFTRA Foundation Casting Access program. *Emailed thank you message to Stacey Pianko. *RSVP’d for another casting director workshop with Emily Fleischer through the SAG-AFTRA Foundation Casting Access program. Keep reading below 🙂

Writing wins: I was gifted the latest version of Final Draft to continue rocking and rolling on my writing. *Submitted my feature film script to the following writing competitions: Page Awards, Script Pipeline, and Screencraft. *Submitted my half-hour pilot script to the following writing competitions: Page Awards and Script Pipeline. *Re-edited my TV series bible. *On February 12th, I started posting my weekly blog entries again!! *Read different industry articles. *I generated 12 story ideas utilizing chapter one of “My Story Can Beat Up Your Story” by Jeffrey Alan Schechter. *Researched classes at the Sundance Collab. *Reached out to different organizations to take my blog to the next level. Keep reading below 🙂

Ongoing acting and writing wins: *Watched different shows and movies to find scenes to do in class. *Posted updates consistently on Instagram stories, Facebook, and Twitter. *Weekly relationship map outflow. *Practiced sides weekly to keep my memorization skills sharp. *Adhered to my policies every single week. *Writing sessions every Wednesday with Kelly Tighe for the feature film script being developed in PDP 3.0. *Looked up casting director workshops through the SAG-AFTRA Foundation Casting Access program. Keep reading below 🙂

At the Richard Lawson Studios, we teach the concept of “arrogance”. The particular definitions we focus on are “claiming for oneself” and “pride”. Pride in what I am creating and accomplishing. And if those definitions don’t inspire you to let your light shine, then I’d like to share a quote by Marianne Williamson that Kelly recently reminded me of:

The Final Chapter: 7 Story Ideas in 7 Days.

Chasing The George

Last Sunday, I updated everyone on how it went with the challenge I gave myself to generate 7 story ideas in 7 days: https://chasingthegeorge.com/2023/03/26/7-story-ideas-in-7-days-part-2/

I ended up generating 12 story ideas! I also mentioned last Sunday that I would complete the second part of the story generator exercise in chapter one of “My Story Can Beat Up Your Story”, by Jeffrey Alan Schechter: Try to give your story ideas a strong wish fulfillment, emotional dimension, market-savviness, and originality. Any that don’t hit all four points, take out behind the barn and Old Yeller ’em. Of the ideas that survive, put the best one aside for later.

Here are some of my observations. 1) Of the 12 story ideas I generated, two were a YES because they fulfilled the four categories above the strongest. Four story ideas were MAYBES, and six were a NO. These maybes and nos were weak in at least one of those four categories. Keep reading below.

2) With the exception of three story ideas, I was able to find similar movies within the same zip code for the other nine story ideas. And at some point, I’ll watch the trailers of all the movies I wrote down during my research. Fun fact: For one of the story ideas I generated, there were a ton of movies already made about it. Who knew that feature films about bakers were so popular? LOL. Keep reading below.

3) From doing these chapter one exercises, it helped me to revisit an idea I’ve been wanting to develop further for a while. I was able to carve out this idea a little more, and it won’t leave me alone. I ran it through the four categories and it came out as a yes as well. Keep reading below.

4) I was pleased that I was able to set up the orphan status for each protagonist I created over the 12 story ideas. Some were more orphaned than others, but they were all orphans. What do I mean by an “orphan”? According to “My Story Can Beat Up Your Story”, every protagonist travels through four character archetypes within a feature film (orphan, wanderer, warrior, and martyr.) Each archetype represents a specific moment of the protagonist’s journey, and they help them fulfill a complete arc of change from beginning to end. Every protagonist starts as an orphan of some kind. They stand out or are different in some way because of their choosing or because society sees them as that. Some unfortunate or challenging circumstance has already fallen upon them when the movie starts or will fall upon them. We immediately empathize and root for the protagonist because we see their orphan status in the first act. Keep reading below.

5) Even though I came up with 12 story ideas, there were only a couple that I would consider developing further. Again, I’m not being critical of or judging what I generated. What I mean is that I want to be passionate about the things I write. I don’t want to devote my time to writing a script I’m not passionate about. Being passionate about what I want to write was a big takeaway from this exercise (and a reminder.) Now, I think it’s time to throw my hat into the ring and take this nine-week feature film course through the Sundance Collab. I just have to choose which idea to take with me!

7 Story Ideas In 7 Days. Part 2.

Chasing The George

Hello my fellow artists! Last Sunday, I challenged myself to generate 7 story ideas in 7 days by utilizing the story generator exercise in chapter one of “My Story Can Beat Up Your Story” by Jeffrey Alan Schechter. Here is the link to that blog entry: 7 Story Ideas in 7 Days. Part 1.

And as promised, here is part two where I update you all on how it went! Below, I have italicized Jeffrey’s prompts for context. I also copied and pasted the story generator website at the end so that you can try it at home!

Pick a description from Column A such as “ugly,” “creative,” “brave,” etc. Turn that word into the ultimate expression of that description: “ugliest,” “most creative,” “bravest.” Pick a profession from Box B such as “astronaut,” “soccer coach,” “school teacher,” etc. The first few times I did this, I wanted to be intentional with the pairings. Meaning, I went through the descriptions in column A until one resonated with me. Once that happened, I went through the list of professions in column B until one resonated with me as well. Then, I paired those words together to arrive at a newly-invented character. For example, Bravest Disc Jockey. Keep reading below.

Set the timer on your phone for five minutes. Without stopping to think, crank out a story idea for the “somethingest character” you just randomly invented. The “ugliest blacksmith” or the “most fearful pilot.” Once I invented a character, I was on go. I followed whatever impulses came to me. I did not question or critique the spontaneous story idea I was generating in real time. Once my five minutes was up, I let it go. I didn’t dwell. I moved on to generate the next character combination and story idea. There were a few moments where I stopped in the middle of a story idea, and it was in those crucial moments that I made sure not to get in my head or become critical. I just told myself to be patient and see what else occurs. There were a couple of times where I chuckled (in a good way) to myself because the story I was generating was so fun, wild, and imaginative. I was like, “Wow, look at what I’m writing down. This is pretty funny and cool!” Keep reading below.

The next few times I did this exercise, I decided to just pick a description from column A and a profession from column B without thinking about it. Just quickly pick one thing from each column and generate a story idea. I wanted to see what would happen if I went with this approach versus the one above where I was more intentional with the pairings. I was pleasantly surprised with this approach because I still found myself generating a story idea for each character I created. Keep reading below.

I ended up generating 12 story ideas! I’m proud of myself because I came up with something each time around, no matter the type of story, the genre, the boldness of it, the simplicity of it, etc. Now that I have done this part, I need to tackle the next steps of the chapter one exercise: Try to give your story ideas a strong wish fulfillment, emotional dimension, market-savviness, and originality. Any that don’t hit all four points, take out behind the barn and Old Yeller ’em. Of the ideas that survive, put the best one aside for later. Keep reading below.

Let’s see how this goes! Hmmm, I feel a part three coming up. Here is the link to Jeffrey Schechter’s story generator exercise: http://mystorycanbeatupyourstory.com/mix-match/

7 Story Ideas in 7 Days. Part 1.

Chasing The George

Hello, my fellow artists! I recently looked at my DOIN (Declaration of Independence aka business plan) to see what to tackle next on the writing side of my career. And currently, I’ve been submitting a feature film script and a half-hour pilot script to well-established, legitimate writing competitions. So now, it’s time to go on a new literary journey! And one of the career checklist items within my DOIN says to “Generate story ideas using the exercise provided at the end of chapter one of ‘My Story Can Beat Up Your Story.'” This book, by Jeffrey Alan Schechter, is designed to help writers understand how to craft a strong and compelling story structure for feature film scripts.

I read chapter one again, and I’ve decided to generate one story idea each day for the next seven days. I’m not going to judge my impulses and instincts. I won’t critique them. I will be “on go” and allow myself to generate and write these ideas down. And then, next Sunday, I will provide an update on how it went. I will also reveal what part two will be (yes, there will be a part two!) I want to generate several ideas because I am eyeing a couple of writing courses I’d like to take through Sundance Collab (this is another item on my career checklist I want to tackle.) I want to take one of these ideas and develop them into a feature film script in one of these writing courses. Keep reading below.

Until next week! Oh yeah, on the theatrical acting side, I am still researching movies and TV shows for potential scenes to perform in scene study class. Next up, I am going to watch “Raising Arizona”, “A Fish Called Wanda”, “Dead Poets Society”, and I will continue watching season one of “Yellowstone” to keep exploring the role of Jamie. On the commercial acting side, I set a three-month goal at the beginning of the year to secure commercial representation. I diligently crossed things off my career checklist in that pursuit. And recently, my agency decided to expand their commercial footprint. I jumped on the opportunity and am now represented theatrically and commercially under one roof. Securing commercial representation has now been accomplished and checked off my DOIN. The next step is to take classes with commercial casting directors.

Spending My Summer With Ryan Murphy, et al!

Chasing The George

Hello artists! As we quickly approach the beginning of summer, I decided to pull out an exciting blog entry from the vault and share it with all of you again. Below, I shared how I was preparing to spend my summer with the likes of Ryan Murphy, Phoebe Waller-Bridge, Steven Canals, Tanya Saracho, etc. to discover the shows and movies I would have killed to write on. And as I sit here today, I celebrate how far I’ve come since the original blog posting. It’s happening, folks, it’s happening! And I hope that my journey below helps you in formulating the kind of shows and movies you want to write, plus the literary reps and production companies to target.

Original post below:

On June 15th, 2019, I met with a mentor of mine for coffee in the Hollywood Hills. As countless luxury vehicles pulled in and out of the parking lot, I told him that I needed some help and direction in the TV literary world. A fellow Vassar graduate, I’ve known him for several years now. The writers retreat he hosted at the Sturtevant Camp in Sierra Madre, CA, is still one of my fondest memories.

I told him that I needed to navigate the TV literary world with more focus and clarity because I was a little bit all over the place. I also asked him how to obtain a literary manager. We spoke for a while and he gave me a lot of homework that would help me get more focused in this area, more focused on which literary managers would be best for my writing voice, and to discover opportunities for myself as a minority writer.

After taking pages of notes, I was excited to tackle the homework he gave me. One of the homework assignments was to identify 25 TV shows/movies that I would have killed to work on as a writer. He told me to create a spreadsheet and to include different columns of information for this particular homework assignment (e.g. the production company behind each show, the literary reps behind all the writers, etc.)

Side note: At the time of our meeting, I could only identify two TV shows that I would have killed to work on as a writer LOL.

After our meeting, I immediately got to work. I started watching lots of TV shows and movies to find my voice in them. Does this TV show or movie sound like my voice? Does this TV show or movie sound like what I’m interested in writing? I would watch at least two episodes of each TV show to see if I would add it to the list or not. I typed in specific genres that I was interested in. I looked at recommendations from Netflix, Hulu, and IMDB (i.e. “If you liked Black Mirror, then check out…”) Next thing I knew, my list of shows started to grow.

When my list grew to 15 shows, I hit a wall. I was like, “There is no way I’m going to find 25 TV shows/movies.” I emailed my mentor and asked, “Is 25 a hard number? Or can I have less than that?” I asked him this question knowing fully well what his answer would be. I knew that 25 was a hard number. And that he gave me 25 TV shows/movies to push myself, to explore, and to think outside of the box. He emailed me back and he confirmed everything I already knew. So, I recommitted to reaching the magic number of 25. And I’m glad I did because I didn’t want to take any shortcuts. I wanted to fully comply.

On July 27th, I reached the magic number! When I found my 25th show, I cheered! I was so happy and ecstatic. It took me almost a month and a half, but I got to spend my summer with Ryan Murphy, Ava DuVernay, Steven Canals, Tanya Saracho, Phoebe Waller-Bridge, Ryan O’Connell, and so many other amazing creators! And, I was also able to identify the literary reps behind them and behind all of their staff writers. These literary reps represented writers who represented my voice. Plus, I identified production companies that produce the kind of work I want to create as a writer.

I discovered/reconfirmed a few things with this assignment:

*I am interested in the following areas for TV: urban dramedies; stand alone sci-fi episodes; comedies where the lead character is truly an outcast.

*My writing heart resonates with half-hour TV shows.

*When it came to identifying movies, urban dramas made the list. Although, I also love comedic apocalyptic films like Shaun of the Dead and The World’s End (both written by Edgar Wright and Simon Pegg)

*ANYTHING IS POSSIBLE! When I saw the amount of creativity in each show, the storylines, the kind of different and dynamic leading characters, etc., I realized that ANYTHING IS POSSIBLE! There is an audience out there for any show and storyline. There is no way that my own TV series can’t be picked up. All of the shows I watched (whether they made the list or not) reconfirmed that my series has a place on TV. No one can ever tell me that there isn’t an audience for my work after all of the TV shows and movies I’ve seen.

So, ladies and gentleman, here are the 25 TV shows and movies that I would have killed to work on as a writer because they resonate with my writing voice. In no particular order:

  1. Pose
  2. Black Mirror
  3. Pen15
  4. Room 104
  5. Electric Dreams
  6. Weird City
  7. The Twilight Zone (the reboot)
  8. Special
  9. Bonding
  10. Shrill
  11. Difficult People
  12. Schitt’s Creek
  13. Ramy
  14. Barry
  15. Atlanta
  16. Fleabag
  17. Vida
  18. When They See Us
  19. Tales of the City (the reboot)
  20. Looking
  21. Moonlight
  22. Gun Hill Road
  23. Quinceanera
  24. Roxanne, Roxanne
  25. Culture Shock (part of the Into The Dark series on Hulu)

Header picture by Anete Lusina: https://www.pexels.com/photo/crop-person-standing-near-fence-and-old-tv-5721863/

Writing Competitions: Where To Start????

Chasing The George

Hello my fellow artists! If you’re in the United States, I hope you are having a fun and safe Memorial Day weekend. For my fellow screenwriters and TV writers out there who are interested in submitting content to writing competitions, but don’t know where to start, I hope that my quick blog entry will help.

As with film festivals, there are a PLETHORA of writing competitions. It can seem and feel daunting when looking at the myriad of choices out there. For example, when I recently logged into my Coverfly account, the dashboard revealed 154 writing competitions available for submissions. 154?! What?!

And if you don’t know what Coverly is, here is some info about this platform: https://www.coverfly.com/brief-introduction-coverfly-writers/#:~:text=Coverfly%20is%20an%20opportunity%20for,your%20competition%20successes%20to%20work.

Submitting to writing competitions (and film festivals) as a way to get your work out there, to get noticed, to receive feedback or coverage, can become a very expensive endeavor. Don’t just submit blindly. The best advice I can give to you before you begin your journey is to do your homework. Research. When I started submitting my films to film festivals, yes, I submitted to some of the big ones (Sundance, Cannes, Tribeca, New York Film Festival, Atlanta Film Festival, etc.) cause why not? However, once I got the big festivals out of the way, I also did further research to find the festivals that would be tailor-made for my films. For example, if my film featured a Latinx cast and storyline, then I knew that I should find film festivals that were geared towards Latinx-based projects. If my film was directed by a woman, then I found film festivals that celebrated and encouraged films directed by women. If my film was sci-fi, then I found film festivals that focused on this particular genre.

As a result, my submissions became more targeted. More focused. My films fell within the zip code of those particular film festivals because I was speaking their language. Writing competitions are no different. Do the research. Aim for the big ones (cause why not?) and aim for the ones that are targeted to the type of script you have for a more specific, bullseye approach. Not all competitions are equal and built the same way. Some have been around for a while and are highly-regarded and respected. Others are brand new and have only been in the game for one year. Some competitions come and go.

Some factors to consider: how long the competition has been in existence for, its mission statement, its end goals for the writers who enter and win, the judges involved in the competition, the sponsors behind the competition, etc. By the way, I’m not here to say which ones to submit to and which ones to avoid. It’s up to you to do the research and decide for yourself. Listen to your instincts and use your common sense.

Below, I have listed a few established, industry-recognized writing competitions. I found these writing competitions based upon industry colleague recommendations and through my own research. There may be a lot more established, industry-recognized writing competitions, but at least this list will get your wheels going (If you know of other established writing competitions, please leave a comment below so I can add them to the list.) And with the exception of the Academy Nicholl Fellowships which only focuses on screenplays, the other competitions listed below accept both screenplays and TV scripts.

Academy Nicholl Fellowships: https://www.oscars.org/nicholl

Austin Film Festival: https://austinfilmfestival.com/submit/screenplay-and-teleplay-submissions-2/

Final Draft Big Break: https://www.finaldraft.com/big-break-screenwriting-contest/

Page Awards: https://pageawards.com/

ScreenCraft: https://screencraft.org/screenwriting-contests/

Scriptapalooza: https://scriptapalooza.com/

Script Pipeline: https://scriptpipeline.com

Shore Scripts: https://www.shorescripts.com

The Black List: https://blcklst.com/

Tracking Board Launch Pad: https://tblaunchpad.com/

Featured image courtesy of Suzy Hazelwood: https://www.pexels.com/photo/black-and-red-typewriter-1995842/

Honor Your Genius!

Chasing The George

Happy 2018! Hope everyone had a wonderful holiday season with family and friends. Here’s to a successful and exciting 2018!

I wanted to kick off my first blog entry of 2018 with a quote by Ralph Waldo Emerson about honoring and following your genius. As we tackle 2018 and move forward into the new year, let his quote be your guide. Whether you’re an actor, a writer, a director, a producer, etc., let his quote be your guide on your journey to continued artistic greatness! Fuck it, let this quote be your guide as a human being!

**I encourage you to use a dictionary and look up words you don’t understand in his quote. Doing so will enhance your understanding exponentially and allow you to really honor your genius.

Emerson Quote

An Arrogant Farewell To 2017!

Chasing The George

My last blog entry for 2017! I will see you in the new year! But for now, I am here to give an arrogant goodbye to 2017. Arrogant as in “claiming for oneself” and “pride”. I have so much pride in the wins I’ve had in 2017 and I’m going to share just a sampling of them. I’m tooting my horn. As should you. What were your wins in 2017?

Cause at the end of the day, what’s a horn for but to toot it?

Here we go!

January 4th: Audited a scene study class at Jame Franco’s acting studio

January 13th: Celebrated my birthday with friends, drag queens, bottomless mimosas and twerking

February 5th: Celebrated one year anniversary with Chris

February 6th: Attended “Assassins” musical fundraiser at Rage to support my fellow Richard Lawson Studios members

February 9th: Imported the rest of my relationship map into Insightly

February 10th: Took a wonderful trip to Seattle with Chris

February 24th: Had a kick-ass audition playing a character like Huck from “Scandal” in the PDP 3.0 class

February 25th: Shot new headshots with Marisa Leigh

March 7th Made final payment to company and got rid of an outstanding debt

March 24th: Co-hosted the first of 13 viewing parties for Season 9 of RuPaul’s Drag Race

March 27th: Took a picture with my favorite drag queen: Bianca Del Rio

April 13th My blog entry, “Sending The Elevator Down”, was accepted into the Huffington Post’s Thrive site

April 13th Had coffee with one of my favorite actors and people, Justin Huen

April 17th Signed with the Paradise Group for commercial representation

April 18th Participated in the LA Law charity event (our group raised the most money in the history of the event)

April 21st Did a kick-ass cold read audition as a doctor in the PDP 3.0 class

April 29th Attended the inaugural Wearable Art Gala wearing a custom-made metallic gold mask

April 30th Attended Drag Con and took pictures with Alyssa Edwards, Nina Bo’nina Banana Fofana Osama Bin Laden Brown and Karen From Finance; received video shout out from Shangela. Also attended a handful of wonderful panels.

May 6th Attended “Assassins” musical in Silverlake to support my fellow Richard Lawson Studios members

May 13th Attended The Bougee Party in Woodland Hills

May 13th Attended screening of Chinatown at the Hollywood Forever Cemetery with Chris, Lindsay, Jordan, Sarah and Ryan

May 19th Did a kick-ass procedural audition as the CEO of Caster Industries in the PDP 3.0 class

June 1st Began Round 1 of social media campaign for my James Franco feature film project

June 2nd Had a meeting with Oakley Entertainment about my James Franco feature film project

June 3rd Wrote the first draft of my movie pitch

June 4th Posted my 100th blog entry

June 5th Was a reader for a feature film that Kim Hardin was casting

June 10th Attended screening of The Wizard of Oz at the Hollywood Forever Cemetery with Lindsay

June 17th Attended Danielle Eskinazi’s workshop and did a kick-ass read during the workshop. I had a commercial copy from a Honda spot

June 20th Did a kick-ass cold read audition as a fashion consultant in the PDP 3.0 class

June 23rd Sasha Velour won Season 9 of RuPaul’s Drag Race and represented Vassar College beautifully (Sasha was class of 2009)

June 25th I attended first Richard Lawson Studios teachers meeting

June 26th Email sent by Oakley Entertainment to one of James Franco’s producing partners

June 30th Shot a computer hacker scene with Lindsay, Lauren and Kenny

July 2nd Final cut completed of Human Revolution short film  (a film I executive produced, co-wrote and co-starred in)

July 3rd “Curtsy, Mister” became an HBO finalist at MVAAFF (in addition to 15 other film festivals it has already been accepted into. This is a feature documentary film I acted in and also was the first assistant director on)

July 5th Signed with the Paradise Group for theatrical representation

July 10th: My weekly blog, Chasing The George, turned two years old

July 18th: Shared the computer hacker scene I shot with Twinkie Byrd, Danielle Eskinazi, Monika Mikkelsen

July 19th: Lindsay shared computer hacker scene with various casting directors on Twitter

July 24th: Dropped off cream puffs and James Franco script with Reed to Rabbit Bandini Productions

July 25th: Did a successful on-camera audition from The Librarians TV series in the PDP 3.0 class

July 26th: Oakley Entertainment reached out to Laurie Holden’s people for the lead female role in my James Franco feature film script

July 26th: Successful production meeting for phase two of the Human Revolution movie

July 29th: Started window shopping for office furniture

July 30th: Did research on 10 film festivals Lauren gave to me and I reached out to them via email for premiere requirements

July 31st: Intention without hesitation. Back to back actions on:

    • Emailed top CAA agent re: Human Revolution (HR) submission to Vassar Film Festival and drop off to James Franco’s production company
    • Followed up with Jessica re: HR viewing
    • FB message to Ryan and Sarah re: Princess Bride screening and mini-golfing
    • Tweeted computer hacker scene link to various CD’s of Mr. Robot, Fear The Walking Dead, etc.
    • Sent film festival update to HR producing team
    • Tweeted Twinkie Byrd about collaborating
    • Researched and sent literary inquiry letters to Heroes and Villains Entertainment, Rafterman Media, Original Artists & Society Entertainment

August 3rd: Chasing The George was included in Vassar’s “In The Media” July 2017 round up email which is sent to graduates all over the world

August 4th: Submitted Human Revolution to the Vassar Film Festival in D.C.

August 8th: Sent Julia (my agent) my DOIN’ (aka my business plan) and she loved it

August 8th: Human Revolution submitted to SXSW, Atlanta Film Festival, Slamdance

August 9th: Submitted Human Revolution to Taos Shortz Film Festival

August 10th: Followed up with the literary agents I submitted to on July 31st

August 15th: Emailed Julia and asked her to do an intro for me to the casting director of Gente-fied.

August 16th: Received another IMDB actor credit for a feature film called Zombie TV that comes out in 2018

August 16th: Sent Tady link to HR

August 17th: Sent FB message to the creators of Gente-fied

August 17th: Sent literary inquiry letter to The Mission Entertainment

August 18th: Sent email to Kelly Edwards re: HBOAccess program

August 19th: Sent Travis link to HR

August 20th: Participated in a career administration panel at the WACO Theater Center

August 23rd: Submitted Human Revolution film to Sundance, Sarasota Film Festival and the Utah Film and Awards Festival

August 26th: Celebrated 15 years of living in Los Angeles

August 28th: The Huffington Post’s Thrive section published a second blog entry of mine, “What Is A Win?”

August 31st: Worked with a private client who wanted to start learning an approach to acting

September 2nd: Submitted Human Revolution to the Los Angeles Diversity Film Festival

September 4th: Posted my 10,000th tweet

September 5th: Submitted Human Revolution to the Mammoth Lakes Film Festival

September 5th: Emailed the casting director of Gente-fied and received her response on September 6th

September 9th: Did a self-tape audition for the feature film, French Fries

September 26th: Did cold stand up comedy in the PDP 3.0 class and rocked it

September 26th: Outlined a new short film script in 32 minutes

September 30th: Took above outline and wrote first draft of script in 1 hour and 25 minutes (which became The Doppleganger)

October 10th: Auditioned for Criminal Minds and received a callback 5 minutes later

October 15th: Did my second ever video blog and had a lot of fun

October 17th: Registered my script, The Doppleganger, with the WGA

November 7th: Co-taught the PDP open class with Kelly

November 10th: Co-taught the Audition open classes with Lindsay, Kelly and Beth

November 10th: Had first read through rehearsal for my film, The Doppleganger

November 12th: Posted third video blog

November 15th: Had second rehearsal for my film, The Doppleganger

November 17th: Had first rehearsal with Courtney for scene from The Out of Towners

November 22nd: Had third rehearsal for my film, The Doppleganger

November 23rd: Celebrated Thanksgiving with Chris and friends

November 26th: Shot a self-tape audition for the PDP 3.0 class

November 26th: Shot another self-tape audition for an exciting top-secret project

November 28th: Did cold stand up comedy in the PDP 3.0 class

November 28th: I was offered the role I auditioned for in the exciting top-secret project

December 3rd: Shot the role in the exciting top-secret project

December 3rd: Had a scouting and production meeting for my short film, The Doppleganger

December 7th: Had a final rehearsal for The Doppleganger

December 10th: Shot The Doppleganger (a film I wrote, executive produced and co-starred in)

December 11th: My feature film script was emailed to James Franco’s manager

December 15th: Had a great audition for an untitled Noah Baumbach feature film which stars Scarlett Johansson, Adam Driver, Laura Dern and Merritt Wever

Recurring wins:

I taught the PDP 3.0 class several times

I was a guest DJ several times for the Richard Lawson Studios scene study class

I posted a new blog entry every Sunday morning

Overall happiness and health

Constant give and help to others in my community