Good morning, fellow artists! Welcome to another exciting edition of my weekly Hollywood blog. Last week, I mentioned that I started using my car as an office to tackle Slamdance coverage notes and other administrative tasks before clocking into work. That first week was a huge success, so I repeated the routine over the past week to keep maximizing that extra time before heading inside. I’m happy to report that week two was just as productive!
I also mentioned last week that I only had a few more scenes left before completing rewrites on the first half of Act Two. As of October 20th, I officially finished those rewrites! Woo hoo! I am thrilled with how it turned out. Using that extra time in the car office to tackle those coverage notes made achieving this milestone at home possible!
My goal now is to return to the beginning of the script to see how the first half flows with all the new changes, making edits and cuts along the way to tighten it up. Once that’s complete, I’ll dive into the second half of Act Two and start applying the coverage notes there. Plus, I’ll keep up the car office routine before clocking into work.
Good morning, fellow artists! Welcome to another exciting edition of my weekly Hollywood blog. After posting and celebrating some of my Q3 screenwriting wins recently, it’s time to share an update on the second-draft rewrites for my latest feature film script. I am currently implementing my Slamdance coverage notes in the first half of Act Two, and I’m fast approaching the halfway mark of the script!
Not only have I been implementing notes in my home office, but I’ve also been doing so right from my car before clocking into my pillar job.
I always arrive early for work. I hate being late for anything—and living in LA, traffic is always a factor! Since I usually have about 40 minutes before I clock in, I decided to use that time last week to tackle more coverage notes alongside other career administration tasks. I even asked my career administration partner to hold me accountable by sending me a simple, yet effective, text message at 8:00am each day!
Working in the car proved to be a major success. I felt accomplished and productive. It gave me a boost of confidence and a sense of excitement right as I clocked into my shift. My “car office” felt private and quiet, with the soft glow of the computer screen providing a surprising sense of comfort. I’m definitely repeating the routine this week to keep taking advantage of that extra time.
I’m excited to finish applying these coverage notes to the first half of Act Two. Just a few more scenes to go before I dive into the second half!
Good morning, fellow artists! Welcome to another exciting edition of my weekly Hollywood blog. As we close out the third quarter, I wanted to use this opportunity to look back at some of the wins that made these past few months so memorable.
Here is a quick look at my 3rd quarter wins:
July 23rd – Table Read: I successfully resurrected and dusted off a feature screenplay, kicking off Q3 with a 10-page class table read at Richard Lawson Studios. From that read, I received a few assignments—one of which was to research and establish casting visions for my Latin characters. I created dedicated Google Drive reference folders featuring images and interview clips for my dream cast (including Ismael Cruz Córdova, Ryan Guzman, Iñaki Godoy, JD Pardo, and Justina Machado), which immediately deepened my characters and strengthened dialogue revisions across Act One.
August 17th – Slamdance Screenplay Clinic Consultation: I completed a highly productive hour-long Zoom consultation with a Slamdance reader based on six pages of comprehensive coverage. A week later, during my career administration meeting, my admin partner pointed out that because the script’s foundation was already so strong, all of the reader’s notes served to elevate and heighten the material rather than tear it down.
August 24th – Rewrite Launch: I officially began draft two rewrites on my latest feature film script, systematically integrating six pages of written coverage alongside the Zoom recording notes.
September 13th – Act One Complete: I fully completed Act One revisions on my latest feature film script, crossing off every single coverage note. These revisions locked in character arcs, clarified early logistics, eliminated on-the-nose dialogue, and converted a key scene into a more conversational tone.
September 15th – Tackling Act Two: I started navigating the first half of Act Two—sharpening scenes for clarity and logistics (including coaching speeches and championship timelines), weaving in the beginnings of two new subplots, and committing to a patient rewrite process.
September 29th The Third Act Series Meeting: Back in June, I mentioned that following our pitch at this year’s Cannes Film Festival and the enthusiastic “goldmine” response we received, our team pivoted to adapting “The Third Act” into a TV series. We recently shifted gears and aligned with a dynamic showrunner and head writer to help shepherd the project moving forward. Richard Lawson set up the meeting, where Kelly Tighe and I got to connect with him, and we are all thrilled to forge this exciting creative partnership.
I’m looking forward to reading your third-quarter wins in the comments section below!
Good morning, fellow artists! Welcome to another exciting edition of my weekly Hollywood blog. Last week, I shared the wonderful news that I finished rewriting Act One of my latest feature film script. Thanks to the coverage notes I received from my Slamdance Screenplay Clinic consultation, I was able to achieve this milestone. In the days since, I have moved into the first half of Act Two to continue applying those notes to this next set of rewrites.
Knowing that Act Two is the belly of the beast of a script, I am prepared to move with patience and intention. For example, there were two scenes that recently gave me a little run for my money. In the first scene, the coverage notes asked me to provide a clearer explanation of the timeline and steps needed for the team to win the championship. The second scene required the coach to go into greater detail about one of those specific steps. With both scenes, I found myself writing and deleting several times because I wanted them to be as clear as possible. I moved paragraphs around and stacked up a few variations of the coach’s speech side-by-side to see which one was the strongest. I looked up definitions to find the perfect words, deleted dialogue, and read the scenes out loud. I even improvised new dialogue on the spot to nail what these two scenes were really about. Finally, things clicked, I gained clarity, and the scenes flowed much better!
I was also able to drop in the beginnings of two subplots, which was incredibly satisfying. At the same time, I realized that the script length increased by five pages. I have to remind myself that it’s okay—this is just part of the rewriting process. If anything, it’s better to have extra pages to cut down later than to fall short. It’s also likely that as I move onto more scenes, I will naturally delete things that decrease the page count. I should be prepared for the number to fluctuate as I continue. Ultimately, I won’t know my final page count until I finish this second draft, but I will be ready to edit appropriately to strengthen the story and bring the script to a manageable length.
Good morning, fellow artists! Welcome to another exciting edition of my weekly Hollywood blog. Last week, I gave you a peek into my feature script rewrite process following my Slamdance Screenplay Clinic consultation. Today, I’m thrilled to announce that I’ve officially finished rewriting Act One! Crossing off every single coverage note felt incredibly satisfying.
Strengthening this foundation sets me up for success with the rest of the script. By locking in character arcs, logistics, and timelines early on, the overall story is much clearer. Thanks to the extra research, some scenes are now more specific and vivid, while unnecessary moments have been simplified or cut entirely. Additionally, I have removed and rewritten on-the-nose dialogue and even pivoted to a more anecdotal/conversational approach in one of the scenes.
This solid work in Act One gives me a great setup—or a nice plié—into the next batch of coverage notes. Before I jump headfirst into Act Two, I’m going to do one final read-through of Act One to polish up any loose ends.
Draft two of my latest feature film script is coming along smoothly.
Good morning, fellow artists! Welcome to another exciting edition of my weekly Hollywood blog. Last week, I shared key takeaways from my Slamdance Screenplay Clinic consultation, including how I navigated holding ground on my creative choices and the power of giving feedback time to settle before rewriting.
On August 24th, I officially began rewrites for the second draft of my latest feature film script! I was excited, and somewhat anxious, to finally tackle the original six pages of coverage plus the additional Zoom notes and start weaving them into the next draft. The process has been steady—a lesson in patience as I carefully and methodically apply each note. I am still working through Act One, but I don’t feel discouraged because I have already crossed off several items, including those pushing me to be more specific in certain scenes, set up and clarify certain character arcs and logistics earlier, and avoid on-the-nose dialogue. Additionally, I addressed a few technical errors throughout the script, and I’ve mapped out a couple of subplots for Act Two.
For example, regarding specificity, it’s not enough to say that my protagonist is excelling in a particular activity. I have to show exactly how he is excelling. I have to describe what others do versus what he does, and how he does it better. Then, we’ll understand how talented and special he is, and the audience will invest in and root for him even more. To paint a clearer picture, I had to dig into further research to make these scenes sing off the page. It’s taking me down a (good) rabbit hole, and it’s taking a little longer than anticipated, but seeing the difference in the scenes makes it worth it.
I have also found myself rewriting scenes in the moment—like rewriting a scene during a work break or right after taking a shower. While watching TV, I took a quick mental note on how to shift a moment from one scene to another to maximize its impact. These coverage notes are constantly swirling in my head, and I have to be ready to tackle them on the spot as best and as quickly as I can.
Note by note. Step by step. Steady, with intention, wins the race.
Good morning, fellow artists! Welcome to another exciting edition of my weekly Hollywood blog. Last week, I shared a powerful, vulnerable POST about the day I almost quit Hollywood, and how I bounced back through the power of K-ART FM. I am proud to announce that I am still listening to this uplifting, causative radio station (or is it a streaming platform, as this is the most prevalent form of music consumption these days?)
At this past Monday’s career admin meeting, my partner said last week’s blog POST resonated with him, as it did with other artists who reached out. He shared that when someone wants to quit, it possibly stems from two things: losing passion for their dream or hitting a wall of frustration—be it with current industry challenges or year-end reflections on unmet goals. Keep reading below 🙂
I thought about what he shared. Fortunately, I have not lost my passion! I made a commitment to my admin partner to continue focusing on the things I have control over through administration. I feel good. I feel purposeful. One of my proudest moments this past week was reaching out to two directors I follow on Instagram and letting them know that I wanted to build a professional relationship with them. I also sent them a snippet of a powerful personal monologue I performed in class because I knew it would resonate with their artistic sensibility. Additionally, I reached out again to seven directors from my target list to praise their work and to let them know that I would love to work with them. Keep reading below 🙂
Another exciting moment included looking up casting director workshops through SAG-AFTRA’s Casting Access Program. I need to get in front of casting directors because they are important gatekeepers to opportunities. Also, I am equally excited to bring back my rugby feature film script to our next admin meeting. I’ve already brought it in twice and had my admin partner read it out loud, 10 pages at a time. Armed with questions I asked him afterward, this process has proven valuable, and I look forward to reading the rest of act one out loud. Keep reading below 🙂
And lastly, I celebrated! I framed this awesome poster that was in the VIP bag I received when I attended Madonna’s Celebration Tour. I’m so happy I finally framed it! Keep reading below 🙂
Good morning, fellow artists! I love that my Hollywood industry blog allows me to share not only my successes but also my challenges. By being open, I hope my vulnerability and tools can inspire others to move forward when facing obstacles.
On October 20th, 2025, I almost allowed K-SHIT FM to persuade me to quit the entertainment business. I was like, “I’m done. I’m out of here. I quit. F**k this.” One of my mentors, Richard Lawson, teaches us that K-SHIT FM is the detrimental radio station that plays loudly during times of doubt, the unknown, or insecurity. K-SHIT FM plays those voices of doubt, negativity, and criticism that make us feel less than and unworthy. K-SHIT FM weakens you. It makes you second-guess and doubt yourself. Fortunately, I am blessed to have years of wonderful training that allowed me to pivot and change the channel to K-ART FM. Keep reading below 🙂
K-ART FM features positive affirmations, wins, and tools that help reinforce my unique, talented, and wonderful qualities. I turned up the volume on K-ART FM by executing the very thing that I knew would get me back on track: CAREER ADMINISTRATION. Keep reading below 🙂
In the weeks that followed, I immersed myself in career administration. I felt empowered and alive. I felt connected to my artistry again. For example, I turned to my relationship map and supported individuals and their artistic endeavors. I posted past artistic works on social media (and in the process, I realized how diverse my portfolio was, from comedy to horror; from working with established actors to new actors; from indie films to studio films). I previously mentioned that on September 15th, 2025, I decided to revisit another feature film script to rewrite the action lines into more concise, active descriptions. I have since completed doing this. I continued attending my career administration meetings. I emailed my agent. I kept working on my in-person audition for class. I brought in that audition on October 30th, 2025, and had one of the BIGGEST wins with it. Richard opened it up to the class for feedback and comments. This win also led to a bigger conversation where Richard said I have all the tools needed to have the career I want, and what it’s going to take to finally manifest it at the highest level possible. Since that conversation, I identified three areas in my artistic arsenal that need strengthening. I started working on my next assignment for class: an in-person shoot from “The English Teacher” TV series. Keep reading below 🙂
The next step is to celebrate all of these administrative wins! Keep reading below 🙂
I am grateful to know when I am in K-SHIT FM land and how to utilize tools to get out of there. I hope my actions above give you some ideas on how to combat K-SHIT FM and get into K-ART FM. It’s all about taking causative action that reconnects you to who you are and what you’re about. Keep reading below 🙂
Good morning, fellow artists! I have been blogging for 10 years, and this is my second-ever vlog! So let’s get to it. Tons of fans from around the world submitted questions to me, and I have narrowed them down to 20. From who my celebrity crush is to why my blog is called “Chasing The George” and not “Chasing The Jorge”, check out the exciting video below!
I recently experienced devastating and unimaginable losses. That first sentence already brings out immediate pain, sadness, and tears. On August 23rd, 2025, I lost my mother. Twelve days later, on September 4th, I lost my brother. It still feels so unreal. Shocking. Speechless. I struggled for a while on whether to share this news on social media. I believed these losses were too personal and private for me to share publicly. Now that some time has passed and things have settled somewhat, I decided that my blog would be the best platform to do so. I believed I could articulate my thoughts best through this medium.
I also struggled for a while to figure out how to re-enter life. How to take steps forward without feeling guilty, bad, or disrespectful. And what I understand is that through tragedy and darkness, the show continues. Life continues. And maybe more importantly, art continues. Art is what I know and understand. Art is my foundation. Art is my reason for being and existence. In addition to the WONDERFUL COMMUNITY that has supported me during this tragic time, art has done the same. In what may seem like a random stream of consciousness, I’d like to thank the following artists and their work for resonating with me and helping me see the light over these last several weeks. These examples may mean nothing to you, arbitrary even, but they have helped me take a step forward in understanding that the show continues, and that it’s okay to do so. Keep reading below.
-Xochitl Gonzalez for writing an incredible second novel, “Anita de Monte Laughs Last.” Like her first amazing novel, “Olga Dies Dreaming”, she always transports me into a world of familiarity and home. Themes of otherness and making your way through the world as that. I understand her characters, references, sense of humor, and journeys in her books. I feel seen and heard through her work. Brooklyn, Boricua, Edward R. Murrow High School forever. Keep reading below.
-“Walk of Fame” by Miley Cyrus featuring Brittany Howard. This song is both melancholy and hopeful. THAT CHORUS. This song tells me to mourn, reflect, get up, and keep going. At times, I feel lonely, and at others, I am surrounded by community. The road is expansive and open with new possibilities. Keep reading below.
-RuPaul’s memoir, “The House of Hidden Meanings.” Mama Ru demonstrates the power of holding on to your postulates and achieving them no matter what. Also, drag queens and drag artists are truly my superheroes. Keep reading below.
-And of course, Madonna’s music. She is the template, the blueprint, for so many things. Her music speaks to my CORE like no other. Her music keeps me going forever. Keep reading below.
-In terms of my own art helping me move forward, I’ve experienced several important milestones. For example, on August 20th, 2025, I completed the third draft of my rugby feature film script and can now finally share this win with all of you. Alongside this, continuing work on the second draft of “The Third Act” feature film script over the past couple of weeks has also felt like a win. In addition, my weekly career administration meetings have enabled me to re-establish routines, tackle to-do lists, and be both personally and professionally vulnerable in a safe space. More recently, on September 15th, 2025, I decided to revisit another feature film script I wrote in order to rewrite action lines into more concise, active descriptions. Looking ahead, it will also be interesting to see how the themes of loss in this script deepen as a result of my current experience with it. And finally, writing this blog entry has been healthy and cathartic. Keep reading below.
(And yes, I’m also making sure to apply self-care!) See you next week.
