Hello, my fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. This week, we are back to my writing goal for 2024: Finish the 1st draft of the “Third Act” feature film script with Kelly Tighe. Once that’s done, do a table read, get feedback, and complete additional drafts.
Things are moving and cooking with this goal! This past Wednesday, June 12th, 2024, the Professional Development Program 3.0 collective met again via Zoom to start casting actors for our first, official table read of “The Third Act”! We have our date (July 14th!), time, and location. It was so exciting to go through each character and envision a few actor choices for each one. We entered our choices into a spreadsheet and certain members from the group will reach out to those actors to get their interest and availability. The intention for the table read is to hear the script in the hands (and mouths) of these actors, ask them questions, and receive feedback. This process will allow us to determine the next set of rewrites for the second draft of the script. In the meantime, Kelly and I will cut down the script before it is emailed out to the actors. Keep reading below 🙂
Hello, my fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. This week, we are back to my acting goal for 2024: Book supporting roles in feature filmsproduced and distributedby independent or mid-sized studios.
In my last acting update, I looked at opening up the aperture to bigger studios. I realized it could be that role in a Universal Studios, Warner Bros., or Netflix feature film that creates the pathway to booking roles with A24, Focus Features, Searchlight, etc. And since my last acting update, I had the opportunity to audition for a feature film! A friend and colleague of mine reached out and said that she was pitching me for a role in a feature film that she was producing and acting in. She sent me the sides and I put myself on tape. I was very happy with the product I created. Keep reading below 🙂
I looked through my DOIN (Declaration of Independence) and I’m ready to tackle the next round of administration for my acting goal. If you all remember, I researched indie directors and producers whose feature films screened at the 2023 and 2024 Sundance, SXSW, Cannes, Tribeca, Telluride, and Toronto film festivals (I still need to research this year’s Telluride and Toronto film festivals.) I made a list of the films that caught my attention and I will now reach out to the directors behind these films. Wish me luck! Keep reading below 🙂
Hello, my fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. This week, we are back to my writing goal for 2024: Finish the 1st draft of the “Third Act” feature film script with Kelly Tighe. Once that’s done, do a table read, get feedback, and complete additional drafts.
This goal is moving along! As you all know, Kelly Tighe and I finished the first draft of the script on May 9th, 2024. This past Wednesday, May 29th, we had our first reading of the script with our Professional Development Program 3.0 group! It was a beautiful, exciting, full-circle moment because the story originated and developed in this class. Then, the journey progressed when the group assigned Kelly and me to write the first draft of the script. She and I could feel and see the excitement in the room. Keep reading below 🙂
It was wonderful to be back on Zoom with the group. The last time we saw each other was mid-2022! Everyone was excited to hear the script and celebrate this monumental moment together. I decided the best way to present the first draft was to have each person read a scene(s) out loud. I kicked it off, then Kelly read the next scene, then Lindsay, then Beth, and then Sayaka. Richard didn’t read but was actively listening and engaged. It was thrilling to hear other people read these words out loud. As we read through the script, Kelly and I made real-time edits to the Final Draft document. She and I also wrote notes to discuss and tackle in the next rewrite. She and I were also making edits in our minds during the reading. We saw which scenes we could trim down and how. Keep reading below 🙂
Another aspect of the reading was seeing how the story and characters landed on the group. Until then, Kelly and I were the only ones reading these scenes out loud for the longest time. People laughed and gasped. People had visceral reactions at certain moments in the script. A couple of people got emotional reading certain scenes. Everyone cheered when the script ended. Richard was so proud of Kelly and I. He praised the script, the story, the characters, the structure, and the tension that we maintained throughout the story. Richard congratulated Kelly and me as a writing duo, stating that this script is a calling card for us as writers. He believes that this is a viable script that can be produced. Everyone is excited to move forward with this script. Keep reading below 🙂
Kelly and I felt such an incredible sense of accomplishment and pride afterwards, a joy and understanding that keeps settling in that we wrote a feature film together. We enjoyed every moment of writing together. A new writing duo is born? Keep reading below 🙂
Hello, my fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. This week, we are back to my acting goal for 2024: Book supporting roles in feature filmsproduced and distributedby independent or mid-sized studios.
I’m still at it! Since my last update, I have continued outflowing support to my relationship map. I also researched the 2024 feature film lineup at Cannes and Tribeca (I will finish my research with the 2024 feature film lineups for Telluride and Toronto.) During this meticulous research, I came across three names I recognized and reached out to them to offer congratulations. I’m looking at these specific film festivals because the independent films that screen there are the kinds I want to be in and the kinds that already have distribution in place with a mid-sized or independent movie studio or will acquire a distribution deal with them after they screen. Through my research, I see what’s out there and what is being made. Which films speak to me so that I can watch them later? Who are the directors and producers behind these films? Who are the casting directors behind these films? How can I outflow to them in a supportive and professional way? I’ve also researched more SAG-AFTRA Foundation Casting Access classes to find classes with my target list of casting directors. Keep reading below 🙂
In assessing my year so far, I am adding a few more things to my DOIN for my acting goal (including a friend’s idea that I write my own film in the style of a mid-sized/independent movie studio and cast myself in it.) I also looked at opening up the aperture to bigger studios. I realized it could be that role in a Universal Studios, Warner Bros., or Netflix feature film that creates the pathway to booking roles with A24, Focus Features, Searchlight, etc. Keep reading below 🙂
Hello, my fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. This week, we are back to my writing goal for 2024: Finish the 1st draft of the “Third Act” feature film script with Kelly Tighe. Once that’s done, do a table read, get feedback, and complete additional drafts.
On May 9th, 2024, at 12:51pm, Kelly Tighe and I finished the first draft of our feature film script!!!!!!!!!! THE SCRIPT IS COMPLETED! 166 pages! As soon as we finished reading the last scenes we wrote, we asked each other, “Are we done? Did we finish the script?” And once we answered “yes”, we cheered, cried, danced, threw our hands in the air, and looked at each other with pride, joy, and a deep sense of accomplishment. A feature film script! This journey started in September 2019 when Richard pitched a story idea to the PDP 3.0 class. In the middle of 2022, the journey evolved when the group appointed Kelly and me to take over, make sense of everything, find the story to tell, and write a first draft. We devoted the rest of 2022 to making sense of the notes and research, various story ideas, characters, scenes already written by the PDP 3.0 company, etc. We revised the logline to reveal the story we ultimately decided to tell. We revised the central question to support the logline. We revised and cleaned up the entire outline. We removed a few characters and older scenes while keeping and strengthening a few other scenes. In January 2023, we took the bold step to start writing the script. A year and a half later, here we are! Keep reading below 🙂
Kelly texted the group to let them know about the great news. In the meantime, Kelly and I will meet this week to clean up any spelling and grammatical errors, check for any tracking/logic issues, etc. Then, we will meet with the PDP 3.0 group on May 22nd to catch up, celebrate, and plan the next steps, such as registering the script with the WGA, copyrighting the script, and having the group read the script together to generate questions and feedback before we do a table read. Thank you, Richard and PDP 3.0, for entrusting Kelly and me to write this script. We look forward to continuing this journey with you all to the next level of development and, ultimately, the bigger picture of production and distribution. Keep reading below 🙂
I’ll end with this. This past Thursday night, Richard invited acclaimed casting director John Frank Levey to speak to our scene study class. At one point, Richard and John talked about the importance of celebrating our wins (by the way, John loves that we share our wins at the top of the class.) John said, “We have to look for our wins, and we have to celebrate them cause that will give us confidence…” Richard added, “I kind of look at wins like gassing up. Where you put a little gas in your tank because ‘I had this wonderful experience’ or ‘I finished writing this script after five years’…it puts fuel in your tank to keep going.” John then shared a story about a recent talk he had with students from Carnegie Mellon University, and he connected it to our script. He said, “I was trying to encourage them to get the long view (about having a career). Don’t think of it like, ‘I gotta get this done by Wednesday.’ If it took five years to finish your script, you finished it. God bless you!” He and Richard then talked about projects that took a while to get off the ground. The lesson was that it’s about a sustained effort with intention. Keep showing up. The sustained effort now continues into the next chapter of this feature film script journey. Keep reading below 🙂
Hello, my fellow artists! Welcome to another exciting edition of my blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. First goal: Book supporting roles in feature filmsproduced and distributedby independent or mid-sized studios. Second goal: Finish the 1st draft of the “Third Act” feature film script with Kelly Tighe. Once that’s done, do a table read, get feedback, and complete additional drafts.
However, this week, I’d like to share my first quarter wins! And yes, I’m a little on the late side for first quarter goals since it encompasses January, February, and March. Then again, I started my 2024 blogging this past February, so MY first quarter would be February, March, and April LOL. Either way, I’m recapping and sharing my wins. This is also a good time to assess what worked and what I need to adjust for the next three months. Keep reading below 🙂
A sampling of my first quarter wins as they relate to my two goals: **Emailed my agent my goals for this year. **Identified and wrote down my favorite/impactful films that were nominated during the 2019 to 2024 awards season. **Identified who the casting directors were for my favorite/impactful films that were nominated during the 2019 to 2024 awards season. **Created a Google Spreadsheet of these casting directors and inputted their contact info. **Emailed my agent the list of casting directors and asked if they had a relationship with them. **Reached out to these casting directors. **Self-submitted to feature films via Actors Access. **Looked up the company rosters for A24, Annapurna, Focus Features, Neon, Searchlight Pictures, and Sony Pictures Classics. **Looked up Casting Access classes through the SAG-AFTRA Foundation to see if my target list of casting directors were teaching classes. **Looked up the managers for the supporting actors who played parts I could have played from my favorite films from the last five years. **Extensive relationship map research and outflow. **Researched U.S. indie directors and producers whose feature films got into the 2023 Sundance, SXSW, Cannes, Tribeca, Telluride, and Toronto film festivals. I also researched the 2024 feature film lineup for Sundance and SXSW (I still need to research the 2024 lineup for the remaining four film festivals on my list: Cannes, Tribeca, Telluride, and Toronto.) **Identified the castings I want to play in feature films. **Updated my agent on the administration I accomplished in the 1st quarter. **Weekly writing sessions with Kelly (160 pages and counting with our script!) Keep reading below 🙂
Hello, my fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. This week, we are back to my writing goal for 2024: Finish the 1st draft of the “Third Act” feature film script with Kelly Tighe. Once that’s done, do a table read, get feedback, and complete additional drafts.
Act 3 is coming along, and Kelly and I had a great writing session this past Wednesday. After our writing session, Kelly decided to tackle the second to last scene in Act 3, and I realized that I needed to write a “transition” scene between two other scenes I wrote in Act 3. There was a harsh, quick timeline/story transition between those two scenes. I knew we needed a scene in between that would allow the characters and the audience to breathe for a second and to fill in the blanks a little bit more in terms of making sure the logical and emotional progression of the story continued so that when the next scene occurs, the audience doesn’t say, “Wait. Woah. What just happened? This next scene came out of nowhere. It felt jarring.” I am excited to share the scene with Kelly this week and hear her thoughts. Keep reading below 🙂
In other writing news, I had the pleasure of providing advice to a high school student this past Tuesday who wrote a short film script that they eventually want to develop into a feature film. A colleague and friend initially reached out to see if I would be available and willing to provide assistance and feedback on this student’s short film script. I said yes, and they connected me with the student’s teacher. I coordinated with the student’s teacher to set up a Zoom meeting so we could meet. I read the student’s script a few times before our meeting, generated notes and questions, and looked forward to meeting the two of them. The meeting went GREAT! The student had a positive attitude from start to finish. They received my notes and asked me questions. The teacher was so appreciative and thanked me for meeting with the two of them over Zoom. The next day, the teacher emailed me and said that the meeting was impactful and her student was eager to share their experience with their classmates. Keep reading below 🙂
Two days later, I receive a text message from another colleague and friend asking if I would like to read a feature film script they wrote for a specific TV network. I said yes, and look forward to reading it as well. Hmmm, I may have to look into writing consulting 🙂 🙂 🙂 It’s been a productive past week of writing that also included writing letters to people on my relationship map and paying attention to the writing structure in a feature film I watched. Keep reading below 🙂
Hello, my fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. This week, we are back to my acting goal for 2024: Book supporting roles in feature filmsproduced and distributedby independent or mid-sized studios.
Hollywood is currently in a state of contraction, creating limited opportunities for actors, writers, casting directors, executives, and other departments. The entertainment industry is still dealing with the effects of a world-wide pandemic, last year’s strikes, budget cuts, artificial intelligence, and the consolidation/sale of media companies. That being said, I am still remaining on the saddle and not giving up. I will continue forward with what I have control over: the administration that is listed in my Declaration of Independence (DOIN). Keep reading below 🙂
Since my last update on my acting goal progress, I have researched U.S. indie directors and producers whose films screened at the 2024 Sundance and SXSW film festivals (A few weeks ago, I researched a few 2023 film festivals.) I still have to tackle the upcoming 2024 Cannes, Tribeca, Telluride, and Toronto film festivals. I’m looking at these specific film festivals because the independent films that screen there are the kinds I want to be in and the kinds that already have distribution in place with a mid-sized or independent movie studio like A24, Focus Features, Neon, Searchlight, and Sony Pictures Classics, or will acquire a distribution deal with them after they screen. These are compelling, engaging, interesting, and unique films that speak to me. Through my research, I get to see what’s out there and what is being made. Which films speak to me so that I can watch them later? Who are the directors and producers behind these films? Who are the casting directors behind these films? How can I outflow to them in a supportive and professional way? Keep reading below 🙂
I’ve also looked at more Casting Access classes to see if any of the casting directors from my target list are participating in them. Again, I’ve created a specific list of casting directors who have cast independent and/or mid-sized studio films over the last five years that have impinged me. This list may grow once I watch the films I wrote down from the 2023 and 2024 film festivals. I’ve also made movement to expand my relationship map to continue building meaningful relationships built on professionalism, support, and a mutual love for art. Keep reading below 🙂
What are you doing to stay in the saddle? Are you creating your own content? Are you enrolled in an acting or writing class? Do you have an artistic collective or group that meets once a week to create art? I’d love to read your comments below. See you all next week!
Hello, my fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. This week, we are back to my writing goal for 2024: Finish the 1st draft of the “Third Act” feature film script with Kelly Tighe. Once that’s done, do a table read, get feedback, and complete additional drafts.
But first, a quick writing joke:
It’s a writer’s block! Get it? LOL! Thanks to Pexels for this photo. Now, on to business…here’s another photo that inspired today’s blog entry. This photo was sent to me by Richard Lawson and it’s from an Instagram account by @showrunher. See the picture below and keep reading after the picture 🙂
This past week, Kelly and I shared the latest round of scenes we wrote. We made great progress and wrote wonderful scenes. AND, we are now ready to tackle the last plot point of our feature film script. How exciting is that?!?! How fulfilling is that?!?! Wow! We are nearing the finish line and estimated that it should take us a month to complete the first draft! The above photo captures what I feel (and I’m sure Kelly as well) each time we sit down to write scenes. Each word we write brings us closer to completion. Each word we write brings us greater tangibility of the product we are creating and the reality that we can do this (145 pages, and counting, proves this to us.) Writing this script is something we can control. It’s about creating our own content. This script, these words, will create opportunities and avenues for us and our collective. This script will be sold, produced, and distributed all over the world. And we will be an integral part of this entire process. That is the bigger picture. That is the dream. One word at a time. Keep reading below 🙂
Hello, fellow artists! Let’s jump right into another exciting edition of my weekly blog. As you all know, I have two goals that I am focusing on this year. And each week, I am alternating between the two goals to provide updates that are hopefully inspiring and engaging. This week, we are back to my acting goal for 2024: Book supporting roles in feature filmsproduced and distributedby independent or mid-sized studios.
I am a long-time student at the Richard Lawson Studios, and I am constantly inspired from one class to the next. This past Thursday’s class was no exception. Towards the end of class, Richard talked about the power of postulates, belief, seeing the vision, going after it, putting in the work, vibrating on the level of the things you want, etc. It was incredible. At one point, he shared an inspiring Instagram video where a woman named Liel Eden talked about the origin of the word, “Abracadabra”. I’ve provided a link to the video below. The origin of this word (“I will create as I speak.”) was a great reminder because I sometimes get so caught up in my daily administration that I sometimes forget what I’m doing all of this for. I have to remember that my administration is connected to a specific goal. And that specific goal is connected to a specific postulate that I see and believe in. Each day, I will speak my goals and postulates out loud to keep creating the magic. “I will create as I speak.” Create and speak. Speak and create. That combination will be magical. Keep reading below 🙂
Here is the link to her video: Click HereKeep reading below 🙂
Here is some of the administration I’ve executed in the last two weeks for my acting goal: I submitted myself for a feature film. I researched a few Latinx directors upon the recommendation of a colleague. I picked one of those Latinx directors from the list, watched a couple of their films, and reached out to them. I watched a SAG-AFTRA Foundation panel because a few of the casting directors that I reached out to this past February were on it. I did relationship map outflow. I researched U.S. indie directors and producers whose films screened at the 2023 Sundance, SXSW, Cannes, Tribeca, Telluride, and Toronto film festivals. Keep reading below 🙂