Chasing The George

Good morning, fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I am focusing on three goals this year. Those goals are: 1) Book supporting roles in feature films produced and distributed by independent or mid-sized studios. 2) Complete the second draft of “The Third Act” feature film script with Kelly Tighe. 3) Write and complete the first draft of my rugby feature film script. Each week, I will provide updates that are hopefully inspiring and engaging.

I’m quickly approaching the halfway mark of act two of my latest feature film script! What’s left for me to write are scenes for the following pairs of reversals in the first half of act two: Yes 6, No 6, Yes 7, No 7. I can’t wait! The writing process has moved smoothly and has provided me with opportunities to do further research to heighten and strengthen my scenes in act two. Prior research, current research, and organization have been incredible because there have been several times when these dynamics came together to create a domino effect of seamless writing. A domino effect where things fell into place and a beginning, middle, and end with the scenes occurred. Keep reading below 🙂

My goal is to complete the first half of act two in two to three weeks! Keep reading below 🙂

See you next week!

Good morning, fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I am focusing on three goals this year. Those goals are: 1) Book supporting roles in feature films produced and distributed by independent or mid-sized studios. 2) Complete the second draft of “The Third Act” feature film script with Kelly Tighe. 3) Write and complete the first draft of my rugby feature film script. Each week, I will provide updates that are hopefully inspiring and engaging.

RuPaul, rugby, and the two feature film scripts I’m writing. What could they possibly have in common? I guess RuPaul and rugby both start with the letters “RU.” But what about the two feature film scripts? Well, RuPaul and rugby were celebrations I utilized while writing act two of my latest feature film script and the second draft rewrites for “The Third Act” script with Kelly Tighe. I watched a few rugby games on TV while having glasses of champagne, and I FINALLY started reading RuPaul’s memoir, “The House of Hidden Meanings.” These celebrations reminded me to pause and take some time off to relax, rejuvenate, and take stock of my accomplishments thus far. And yes, LOL, I have to admit that I could hear some of my characters talking to me while I was celebrating. They were infiltrating my mind with ideas and potential dialogue for scenes. There were a few moments where I responded to them with, “Oh, that’s good!” and I made written notes so I wouldn’t forget. And then, there were other moments where I told them, “Shhh. I’m celebrating. Leave me alone.” LOL. Keep reading below 🙂

I’m progressing steadily and approaching the halfway mark of act two of my latest feature film script! Kelly and I have also met a couple of times this past week and made forward progress with “The Third Act.” We’ve continued implementing notes from the feedback and tightening up dialogue and scenes. Keep reading below 🙂

See you next week!

Good morning, fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I am focusing on three goals this year. Those goals are: 1) Book supporting roles in feature films produced and distributed by independent or mid-sized studios. 2) Complete the second draft of “The Third Act” feature film script with Kelly Tighe. 3) Write and complete the first draft of my rugby feature film script. Each week, I will provide updates that are hopefully inspiring and engaging.

This past week was a little more research-based in order to help inform the dialogue of my new scenes in act two. My research included: 1) Reading a few news articles regarding the upcoming season of a particular rugby league. 2) Watching a video analysis about a particular team. 3) Watching another sports film to analyze their approach and structure to this particular film genre. Keep reading below 🙂

And just for fun, here’s a little bit of dialogue that made me smile so far in acts one and two: “Vodka soda, please. Make it a double.” and “Hey! You got my good side!” and “Ay-yo! I knew I would like this one!” Of course, you’ll have to read the scenes for context! Keep reading below 🙂

See you next week!

Good morning, fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I am focusing on three goals this year. Those goals are: 1) Book supporting roles in feature films produced and distributed by independent or mid-sized studios. 2) Complete the second draft of “The Third Act” feature film script with Kelly Tighe. 3) Write and complete the first draft of my rugby feature film script. Each week, I will provide updates that are hopefully inspiring and engaging.

Let’s focus on the third goal. I mentioned in my last blog entry that act two is the meat of the script. I should also add it’s the belly of the beast. It’s twice the size of act one. I sometimes find act two to be daunting to write because I have to keep the momentum going as I walk through the thicket of the woods, the thicket of the jungle. “Will I ever make it out? Will I make it to the other side?” Act two takes the longest for me to write (anyone else feels the same way?) Keep reading below 🙂

That being said, I’ve begun writing act two on March 4th, 2025! I’ve jumped onto the saddle and I need to hold on tight as I traverse act two. “Yeehaw! Onward and forward!” is the battle cry as I march through the good and bad of act two. Armed with my feature film treatment, I established the central question at the end of act one. I wrote the scene that formed the act two break/break into act two. My dialogue flowed in scenes and I introduced new supporting characters in act two. I made sure to keep focusing on the event of the scene, to fill it out emotionally in terms of what the characters were feeling, and to make sure the scenes had a beginning, middle, and end. New questions came up that encouraged me to conduct further research in the moment (and further research in the days ahead.) “Yeehaw! Onward and forward!” Keep reading below 🙂

Until next week!

Good morning, fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I am focusing on three goals this year. Those goals are: 1) Book supporting roles in feature films produced and distributed by independent or mid-sized studios. 2) Complete the second draft of “The Third Act” feature film script with Kelly Tighe. 3) Write and complete the first draft of my rugby feature film script. Each week, I will provide updates that are hopefully inspiring and engaging.

Yes, you read the title of this blog entry correctly! On February 12th, 2025, I started writing the script for my rugby feature film. Armed with the feature film treatment I created during my time at the Sundance Collab, in addition to supplementing it with Jeffrey Alan Schechter’s book, “My Story Can Beat Up Your Story,” I got to writing! On February 26th, 2025, I finished the first draft of act one. Now, you might be thinking to yourself, “Wait a minute. Days have passed between February 12th and February 26th. How did he write act one in 7 1/2 hours?” Keep reading below 🙂

One thing I wanted to experiment with for the first time as a writer was timing my writing sessions. Yes, technically, days have passed between February 12th and February 26th. However, according to my timer, I logged 7 1/2 hours (7 hours, 33 minutes to be more precise) of writing time across the days I wrote act one. That really put things into perspective for me (7 1/2 hours versus “several days” of writing). And it got me thinking: Which is the best way to measure writing time? By utilizing a clock? By counting each day of writing? How do I quantify my writing time as it relates to dealing with a network, movie studio, agent, or manager? Are they looking at the recorded time or the days/weeks/months it took me to complete something? Is it more impressive/accurate to measure progress using hours and minutes, or is measuring one’s progress by days/weeks/months the standard that will always prevail? Keep reading below 🙂

That being said, this is still a big win for me! I was able to accomplish this feat through the prior work and research I did. With each scene, I got out of my way. I didn’t focus on getting it absolutely right or being so precious with the dialogue. I focused on the event of the scene, how to fill it out emotionally in terms of what the characters were feeling, and making sure the scenes had a beginning, middle, and end. And of course, I will comb through act one later to make edits. Keep reading below 🙂

Act two is the meat of the script, and I am curious to see how long it takes me to write it using the timing system. I am confident that my prior work and research will come through for me again. I am also prepared for any roadblocks that will come up and force me to ask the next question or dig deeper or do a little more research to fill in certain moments. Keep reading below 🙂

Until next week!

Good morning, fellow artists! Welcome to another exciting edition of my weekly blog. As you all know, I am focusing on two goals this year. Those two goals are: 1) Book supporting roles in feature films produced and distributed by independent or mid-sized studios and 2) Finish the second draft of “The Third Act” feature film script with Kelly Tighe. Each week, I provide updates that are hopefully inspiring and engaging.

On the writing front, Kelly and I met on Wednesday, February 12th and finally started writing the second draft of “The Third Act” feature film script! We previously met three times in October 2024 to make sense of the feedback we received from the first table read. I created a system of highlighted colors to determine which feedback to use. For example, one set of colors indicated the ideas we wanted to apply to certain scenes. Another color indicated ideas we could convert into dialogue. It felt so good to start writing again! Kelly and I started at the very beginning of the script, armed with the highlighted feedback. We went through each scene and asked each other our thoughts. Sometimes, we applied the ideas to the scenes. So far, so good. We moved through the first several scenes with ease. An excitement permeated through the air as we did this. Kelly and I will meet next Wednesday to continue re-writing the next set of scenes in the script. Keep reading below 🙂

I also decided on that same day that it was time for me to start writing my rugby feature film script! Many of you will remember that I applied for and got accepted into a nine-week feature film treatment course at the Sundance Collab. Through this nine-week course, I developed my rugby idea into a solid 11-page feature film treatment. Since then, I kept returning to this treatment. I kept tinkering with it. I kept asking the next question. My story continued to expand. I combed through it numerous times. I finally told myself, “Okay, Jorge! It’s time to stop tinkering and start writing! Go! You’re more than ready. Write!” And I did just that this past Wednesday! WOO HOO! I wrote the first four scenes, and I feel so accomplished. I feel so happy and relieved that I started writing my rugby feature film script. My story and characters are finally making their way onto the Final Draft script writing program! LOL. Keep reading below 🙂

So, it might be more appropriate to say I have three goals this year. The third goal is to write and complete the first draft of my rugby feature film script. Keep reading below 🙂

Until next week!