Being “On Go” Update!

Hello my fellow artistic warriors! I hope you all are having a safe and wonderful Memorial Day weekend.

Last Sunday, I posted a blog entry about being “on go”. I challenged myself to be on go for the next seven days for my career. I also encouraged others to share with me how they would be on go for their careers as well. Here is the link to that blog entry: http://wp.me/p8uI5M-cK

Today, I’d like to share my experiences and accomplishments. Now, please understand that this is not about me showing off. Not at all! This is about creating accountability for myself. To hold myself accountable and to see where I backed off when it came to being “on go”. I hope that what I experienced will help others out with being “on go”.

When I look back at the last seven days of being “on go”, I think I did a pretty good job of doing so. I tackled and accomplished a lot of things from my list without hesitation. I reached out. I acted on something. I moved on something. I asked for things. I communicated and expressed. Again, I think I did a pretty good job of being on go. Being on go forced me to not question, to act now. To do it now.

I learned that being on go means that you also honor your instincts. I had an instinct, a knowingness about something on Tuesday morning (May 23rd), but I went against it and now I’m experiencing the repercussions of it. Fortunately, the repercussions are not damaging or devastating or irreversible, but still annoying because I KNEW. I KNEW! My instinct told me to act in a certain way and to go in a particular direction, but I went against it to not rock the boat. To not cause trouble. Lesson learned. I won’t do that again.

I also flinched Wednesday morning (May 24th) on executing the beginning of my social media campaign for a project I have developed. I flinched (to draw back or withdraw from) because I realized I wasn’t ready to launch that social media campaign. I know that this social media plan (plus a couple of other things related to my project) will put me in a position of attention and accountability…and there’s just one dynamic regarding my project that I haven’t mastered yet. So that’s where my flinch came from and why I stopped being on go in this particular instance. I was like, “I have one shot with this. I have to make sure that when I do launch this campaign, that I’m ready to deliver.”

But like my teacher, Richard Lawson, says, “The wrong way is the right way.” Meaning that it’s better to stay in motion than to remain at rest. Cause at least while you’re in motion, you’ll figure out that you’re going the wrong way and then you’ll equip yourself with the right tools or knowledge to start going the right way. I didn’t want to start my social media campaign because I’m still trying to understand this one important dynamic about my project.

That being said, I should have started my campaign and then been on go to get the information I needed. Being on go means that I’ll figure it out. Being on go involves trust and confidence that everything will work out. Being on go means that there are no regrets or what if or would have, could have, should have. I wonder what would have happened if I had launched my campaign on May 24th? I’ll never know now.

However, I won’t stay stuck on that. I won’t kick myself and feel bad for myself. The point is that I identified my stop and now I’m on go again. Since Wednesday, May 24th, I have been on go to get this information and I will execute my social media campaign once the holiday weekend is over. Be on go! I still don’t have all the answers, but I’ll start the campaign and know that I will have the answers and info I need. When the opportunity comes, I will be ready. Trust that, Jorge (“George”)!

Here is a list of things I was able to accomplish by being on go. And this is not just a random list of things. I’m not trying to be busy for the sake of being busy. I’m pushing a career forward as an actor and writer. All these actions are connected to my DOIN’ (Declaration of Independence) aka my business plan. These actions are connected to what I want to accomplish this year from my DOIN’. For each action, I bolded what area that pushes (e.g. actor, writer, producer, human being)

  • Responded to a contact that used to work with someone I am targeting. (Writer)
  • Printed a series of postcards at FedEx for my feature film project. These postcards will be part of my campaign. (Writer)
  • Typed up and printed mailing labels for postcards. (Writer)
  • Posted new blog entry about being on go and shared it on social media and with my contacts. (Actor and Writer)
  • Responded to post-production timeline on a film I produced. (Actor and Writer and Producer)
  • Returned a ton of emails. (Actor and Writer and Human Being)
  • Found other projects that a casting office casts and engaged with them via Twitter. (Actor)
  • Found out who the casting directors were for two TV shows I could be on. (Actor)
  • Donated to a fundraising campaign for a web series that my friend created. (Human Being)
  • Reached out to a director in scene study class and asked them if they would direct me in a scene. They said YES. They suggested I look at “A Fish Called Wanda” (the Kevin Klein character.) I will watch the movie as soon as I post this blog entry. (Actor)
  • Emailed a showrunner to check in and rekindle communication. (Human Being)
  • Posted two procedural auditions on Youtube and shared them with my agents. (Actor)
  • Followed up with and read the marketing campaign my commercial agency did for me. (Actor)
  • Continued reading articles on pitching movie scripts. (Writer)
  • Sketched the floor plan for my office. (Mogul. Empire)
  • Read three new scenes for my actor reel. (Actor)
  • Communicated with team about my feature film project. (Writer)
  • Met with a student from class to answer questions they had. (Human Being)
  • Helped another student on their journey to secure an agent or manager. (Human Being)
  • Sent self-care reminders to another student. (Human Being)
  • Emailed my agent a proposal. (Actor)
  • Engaged three separate times with a list of individuals I admire and respect. (Artist)

 

Being “On Go”!

From Dictionary.com

Go:

3) to keep or be in motion.

22) to move or proceed with remarkable speed or energy.

48) energy, spirit, or animation.

59) to proceed without hesitation or delay.

Word origin: Old English gan “to go, advance, depart; happen; conquer;”

I love these definitions! How will you be “on go” this week from Monday May 22nd to Sunday May 28th? Let me know in the comments section below and I’ll share my status report with you all on Sunday, May 28th!

Let’s push our careers forward!

What Inspires You?

 

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“Storm Hits The Sideshow” was the first painting I ever acquired. Famed acting teacher and director Milton Katselas painted it and the second I saw it in his art gallery, I knew I had to have it. As a matter of fact, I walked into his Saturday master class during a break, marched straight up to him, looked him directly in the eyes and said, “Milton, I love your painting, ‘Storm Hits The Sideshow’, and I must have it. I will own it.” And in true Milton fashion, he put one hand on my shoulder, looked me straight in the eyes and said, “Good!” That’s all he said and I knew that he knew the painting was going to be in great hands.

I purchased the painting a week later, and to this day, I still love it.

This is a work of art that inspires me and is personal to me. If you zoom into the picture of the painting, you will see a guy riding a motorcycle in the middle of this storm. I always saw myself as that guy. I am cutting through the storm, the uncertainty and the craziness of this industry. I am that guy on the motorcycle who is cutting through the ups and downs, the naysayers and the rejections with force and intention.

That guy on the motorcycle is stepping into the storm. He’s stepping into the fire to get to the other side. He is bypassing and pushing through any doubts, fears and considerations he has. I have no doubt that this guy will make it to the other side of this storm and into a place filled with sunshine, clear skies, rainbows and drag queens (Yes to RuPaul’s Drag Race!)

I know that I too am pushing through with intention, even when I don’t have all of the answers. Even when things look dark. Even when it looks like the storm will never end. Why? Because I can ask the next question. Because I am on go. Because I take specific actions for my career. Because I am surrounded by a great community of like-minded artists and friends. Because I am a motherfucking artistic force who knows this is what I want to do with my life. In this painting, there is no sense of where the storm begins or ends, but it doesn’t matter because I am creating and building my career one action at a time.

I would love to read your comments below about what inspires you! Is it a painting? A song? A movie? I would love to know!

Sleeping With James Franco Part 2

Dear James Franco,

I haven’t forgotten about you! I know, I know! The last time I wrote you an open letter was on July 15th, 2015. It was titled, “Sleeping With James Franco For 8 Months”. For those of you who are interested in reading that blog entry, here is the link:

https://chasingthegeorge.wordpress.com/2015/07/26/sleeping-with-james-franco-for-8-months/

Rest assured that I haven’t forgotten about you! I am implementing the next phase to seal this deal! And to make it up to you, here is a song I want to dedicate to you from “The Roar of the Greasepaint, The Smell of the Crowd”. Lyrics appear below the picture.

james-franco-smile-computer-wallpaper-52853-54571-hd-wallpapers

“Look at that face –
Just look at it,
Look at that fabulous face of yours.
I knew first look I took at it,
This was the face that the world adores.

Look at those eyes –
As wise and as deep as the sea.
Look at that nose –
It shows what a nose should be.

As for your smile, it’s lyrical –
Friendly and warm as a summer’s day –
That face is just a miracle.
Where could I ever find words to say.

The way that it makes me happy
Whatever the time or place?
I’ll find in no book
What I find when I look
At that face.”

ShondaLand Update!

So in last Sunday’s blog entry, “Yale + Harvard = ShondaLand?”, I shared with you all an assignment I received to read challenging material out loud for five minutes in the morning and five minutes at night for one full month. The objective was to train myself to pick up material cold, on the spot, and read from it with confidence and fluidity. This practice will help me with procedural auditions (cold readings in particular)

I decided to tackle articles from the Yale Law Review, the Harvard Medical Journal and the New England Journal of Medicine. I want these journals to be one of the tools I use to understand and get myself into a procedural world like ShondaLand.

Lord chile! I stumbled through all of the journals for the first fews days. I think I had a 70% success rate of ease and comfortability. The remaining 30% of challenge came from law and medical terms I was not familiar with. Or a series of large words that require effort and thought. Every time I stumbled, I would read the section over and over again until I nailed it.

DEFIBRILLATOR!

AORTIC!

UNILATERAL HUMANITARIAN INTERVENTION!

Critics of the criminalization of aggression adopt the same understanding of the internal normative posture of the law, but object to its classification alongside the other international crimes precisely because it privileges sovereignty over humanity. (Yale Law Journal. “Why Have We Criminalized Aggressive War?” by Tom Dannenbaum)

The cool thing I noticed was that I read each article as an actor. Meaning that even though I stumbled over unfamiliar words here and there, I still had a strong sense of storytelling. I understood setup and payoff with certain sections. I added emphasis in certain sections to drive a point home. I felt like I was delivering a speech to an assembled audience of doctors or lawyers and I wanted to make sure that my communication landed on them. That I was impinging them. That I was connecting to them.

One week down! Three more weeks to go! At some point, I’d love to film myself reading one of these articles cold and then sharing it with you all.

Yale + Harvard = ShondaLand?

I recently did a cold read audition in class. I had 10 minutes to prepare for this procedural type material. I was playing a character who was one of the top heart surgeons in the city. I quickly started making strong choices, but I found myself tripping over the medical terms. I realized that procedurals are an area where I need more strengthening. By the way, “procedural” is a term used to describe a type of television series: medical, law, cop/detective.

I did my cold read on camera and it went very well. When I watched my audition and assessed my work afterwards, I said that I was happy with what I created in 10 minutes. However, I could see that my attention was on making sure that I delivered the medical terms correctly first and that my performance came second. I was more focused on getting the words right then focusing on my performance.

So my teacher, Richard Lawson, gave me an assignment. Actually, he gave the entire class an assignment. Over the next month, he wants us to pick up and read challenging material out loud for five minutes in the morning and five minutes at night. In this way, we build certainty and strength in picking up challenging material and reading it cold out loud.

Like anything else, it’s about the reps. It takes practice. Some people are just naturally at ease when it comes to procedural terminology. For others, like myself, it takes practice. If I go in for any procedural show like Scandal or NCIS New Orleans or Chicago Med, I need to be comfortable with saying their words in a clear and confident way. Picking up challenging material and reading it out loud for the next month is going to be very helpful.

So I decided to read articles from the Yale Law Journal and the Harvard Medicine Magazine. I’ll also read articles from The New England Journal of Medicine.

In a month, we’re going to do cold read auditions again and he’s going to give us sides from procedural TV shows. It will be great to see how much I improve in picking up challenging procedural sides and reading them cold with more certainty and confidence.

Will Yale and Harvard lead me to ShondaLand?

Stay tuned!

Sending The Elevator Down

I recently met with a talented actor and friend to help them with his business plan-or DOIN’ as we call it at the Richard Lawson Studios. DOIN’ stands for Declaration of Independence. We only focused on his raison d’être (which literally means your reason for existence. Your reason for being.) In other words, purpose. What is your purpose as an artist and as a person? Why are you pursuing this particular career and not another one like law, medicine, etc.? We only focused on this part because the raison d’être is the engine that drives everything. It colors and influences everything that comes after it in your business plan.

It was great to hear his raison d’être and then ask the next question so that it could be a little more specific and personal to him. What he had already written down was great! I just asked questions to help him take it to a higher level of specificity and personal resonance.

And there was one part in his raison d’être that really struck me. He mentioned “sending down the elevator” to others when he reaches a certain level of success. “Sending down the elevator” meaning that he’s reached a high level of success and now wants to give back to others in the same way people have supported him in his journey. He wants to pay it forward to others who are just starting out, who need direction or help, etc. He took the elevator up to the top and now wants to send it down to others and help them make it to the top as well.

It’s interesting because I’ve heard this similar desire in others who have shared their raison d’être with me before. They too want to help and inspire others. And what I told my friend is that he can send the elevator down NOW. Through small, simple, meaningful actions of GIVE, he can help others now.

Now, as he becomes more famous or wealthy, his sphere of influence and give will increase. But he can take actions now. He loved that perspective and it opened up his eyes to the fact that he can give now. He’s excited in what he can do now to help others and I can’t wait to check in with him to see what actions he’s taking.

So, you don’t have to wait until you “make it” or become famous or rich in order to send the elevator down. Your raison d’être exists in you now. That’s what drives you every day to be who and what you are. So give now.

For those of you at home experiencing a similar situation as my friend, here are some simple, doable actions of give that I’m going to quickly throw out as they pop into my head:

Offer to help someone do their first scene in scene study class.

Offer to help someone with their film shoot by being a production assistant or first assistant director or running craft services, etc.

Support someone by attending their comedy showcase.

Help someone out with their audition.

Be a buddy or mentor to a new student in class and show them the ropes, the ins and outs.

Offer to help someone out at their headshot session.

Share someone’s weekly blog entries with your contacts and on your social media 🙂 🙂 🙂

Introduce someone to your agent or manager.

Introduce someone to your friends.

Volunteer at a shelter.

Donate money or time to charities.

Donate money to a fundraising campaign to help bring a person’s passion project to life.

Offer to listen and provide helpful advice.

If you see an opportunity for someone, let them know about it.

Go to the movies with someone.

Take someone out to lunch.

Share someone’s weekly blog entries with your contacts and on your social media 🙂 🙂 🙂

Write someone a note of thanks and appreciation.

Do research for someone in a particular area they need help with.

Donate items to someone’s yard sale.

If someone is looking to repaint or redecorate their room, offer help.

If someone needs help moving out of their old place and into their new one, offer help.

What other ways can you think of to pay it forward and give? I would love to hear from you in the comments section below!

How To PICK Your New Headshots

Okay! So you’ve had a successful headshot shoot. Hooray! Congratulations! You did it and you’ve celebrated all the hard and fun work you put into having a wonderful headshot shoot experience.

So, now what?

Depending on the photographer you’ve shot with, the length of time you spent shooting with them, the number of characters you shot, etc., you could end up with anywhere from hundreds of shots to choose from to over a thousand to choose from.

For a lot of actors, this is an agonizing process. How do I choose my favorite shots out of hundreds? Out of thousands? YIKES! YIKES! YIKES! The horror! The stress! Bite your fingernails, tear your hair out, run to a corner and sob violently!

“Not today, Satan, not today!” (Thank you Bianca Del Rio for creating that phrase!)

Actually, this process doesn’t have to be agonizing or painful. It doesn’t have to consume weeks of your life. Choosing your favorite shots can be a very easy process.

I want to share with you my process for how I made my final selects from the headshots I took on February 25th.

1) I go through each photo with a forward and intentional pace. I don’t linger on each photo for five minutes. Move with intention because the photos will either hit me on a gut level or not. Our instincts are incredibly powerful. We know what we know. A photo either hits me or it doesn’t. Those that hit me, I move them over to a new folder. I continue this process until I get to the last photo. Once I get to the last photo, see number 2.

2) I repeat the process to see if there are any other possible photos that hit me on a gut level.

3) I go to the new folder and call it “Selects”. I then go through each photo a little more carefully and make note of things that would disqualify the photo from making it into my final selects. For example, is the photo blurry? Do my eyes look a little dead in the photo? Is there a shadow across my face that maybe can’t be fixed in Photoshop? Am I blown out? I go through this folder to examine mistakes.

4) I weed out the photos that contain mistakes and I’m left with 56 photos in the “Selects” folder (By the way, we shot a total of 463 photos.) I go through the 56 photos to start narrowing down my personal favorites. I look at the subtext of my characters. I look for a secret in the characters’ eyes. Whenever I choose a favorite photo, I tag them (I work on a Mac, so I right click on the photo file name and choose “Tags”. Then, I choose a color to go next to the file name. I chose red.) The photos I don’t tag as my personal favorites are still kept in the “Selects” folder because they are still strong contenders and I want to have options to present to my community and to my agent. They may see something I don’t see. Once I’ve tagged my personal favorites, see number 5.

5) I present these 56 photos to my small group of classmates (These are people I trust and respect.) It’s important not to have too many cooks in the kitchen because you will only become confused!!! So find a handful of people you trust to share your photos with. When I presented my photos and went through each one, I took note of the photos that received the biggest reactions. If my community was responding powerfully to certain photos, then those were keepers and I later tagged them in red as well (and it was nice to see that my class and I matched on several photos I already tagged.)

Now, for the photos I already tagged as a personal favorite, but didn’t receive as big of a reaction as others, I looked them over to see why they didn’t impinge my classmates. I ended up removing 4 personal favorites from the “Selects” folder. So now, I have 52 photos left in this folder. Again, some are tagged as my personal favorites, while the rest are un-tagged photos that are still strong contenders.

6) I sent the 52 photos to my agent to see which ones he liked. When he emailed me his list of favorites, I tagged them in a different color. I chose blue. And it was great to see that he and I matched on several photos. He also chose a few photos that I didn’t tag as a personal favorite. However, I took those photos into consideration because his job is to field the entertainment market place 24/7. He knows what’s out there. He knows what’s selling and what’s being bought. I want this to be a collaboration between the two of us and include his picks as well.

7) The photos where he and I matched (Red and blue tags) were definite keepers. For the photos where he and I didn’t match, I chose a few photos that had a blue tag (his personal favorites) and a few photos that had a red tag (my personal favorites) In this way, I’m including both of our personal favorites and respecting both of our opinions. I create a final folder called “Winners” and put these final photos in it.

And that’s it! A pretty easy, painless process!

I have 20 photos that I will upload across Actors Access, LA Casting, IMDB, etc.

Let the new chapter of submissions begin!

See you all later!

Funny Things I Said On Set

Shooting a feature film in NYC has been wonderful. From on-location shoots at Radio City Music Hall to iconic fashion photographer Francesco Scavullo’s three-story townhouse on the Upper East Side of Manhattan, this experience has only reinforced my love for being an artist. I am truly grateful and I want more. I will have more.

And in a massive city filled with millions of people everywhere, it was amazing to see how much I stood out. At first, I thought it was because I wore an LA hat. Then, I quickly realized it was because of who I am. My spirit, my life force, my joy of what I do and who I am. Many people were intimidated, inspired and drawn to me. My influence wasn’t just limited to the world of LA. So witnessing my impact on others confirmed even more the power I have as an artist and how I can truly change the world.

And since this blog is about my weekly experiences as an artist, I thought it would be cool to share with you some of the funny things I said on set. Enjoy! And see you soon LA!

I said on set:

“Okay!”

“Okaaaayy!”

“Hold on, I’m still putting on my strap on.”
————-

Lead Actor: “I read a book that started with the line, "Joe inserted his big black dick inside her taunty pussy.”

Me: “Do you still own that book?”
————-

“I would eat that salmon all night long.”

“Okaaaayy!”

“Shake it, bitch!”

“I thought she was spelling ‘Dietrich’, as in ‘Marlene Dietrich’”
————-

As we’re getting shuttled to the next location, I sat next to a crew member in an Infiniti SUV:

Crew member: “Ouch, your ass bone just poked me.”

Me: “That’s not my bone.”
————-

“I’ve been told that I’m the size of a baby’s arm.”
————-

A crew member looks at the hashtags I used on an Instagram post:

Sound Operator: “Hashtag Gay Mexico?”

Me: “Yeah, I’m international.”
————-

“You think I’m going to pay $40 million for a townhouse on the Upper East Side of Manhattan only to look out at all of this horrid, loud, nasty traffic?! Get the hell out of here!”

“Okaaaayy!”
————-

Me: “Sorry, I keep digging into your butt.”

Director of Photography: “I don’t mind.”
————-

“Okaaaayy!”

“He’s in the Bronx where he belongs.”

“Not today, Satan, not today.”

“Okaaaayy!”
————-

Towards the last day of filming, I walked around in a red towel because NYC got hit by a tropical rain storm and my pants had gotten wet.

Crew Member: It looks like you’re walking around in a bath house.

Me: We’re all family at this point.
————-

“Okaaaayy!”

Filming In NYC.

One of my goals for 2015 was to shoot on location. Cut to September 26th and I am landing in JFK Airport to shoot a feature film. Saturday was spent with immediate family and the BROOKLYN accents were strong, alive and representing. Quick first-day timeline for your amusement:

4:45am Running out of the building like a mad man to catch the car to the airport. I became that asshole who runs late. I guess I got caught up listening to the original Broadway cast recording of “Little Shop of Horrors” while I was getting ready.

4:47am As we drive down Hollywood Blvd., I start getting a little sad. The first thing that pops into my head is, “I’m gonna miss all the stores that sell stripper/hooker attire.”

4:55am After getting over my sadness and getting excited for my work-cation, I can’t resist the urge to log onto Lavendr and start swiping left and right. I say to myself, “Hey, you never know. Maybe I’ll find Mr. Right before I fly down to NYC.”

5:07am We pick up another passenger. Last name, Dong. I thought she said “Dung”. Look, I’ve had 3 hours of sleep each night for the last seven days…

5:12am. We’re driving south on Highland Ave. and through the beautiful neighborhood of Hancock Park. I wonder if Hancock Park resident Shonda Rhimes is up?

5:26am I have nothing to write about.

5:30am We drive into LAX. When I see the large LAX letters to my left, I think of the “Lost” episode titled “LA X”.

5:48am A cute TSA agent pats me down. This is most likely the only action I’m getting while in NYC.

5:56am I’m starving. It’s time to eat. I’m ready for the overpriced everything. Burger King is definitely not an option unless you want me shitting all the way to NYC.

5:59am I realize I’m wearing an LA hat. I’m so literal.

6am Waiting in line to purchase a water and a simple turkey sandwich. This is the best LAX can offer at the moment.

6:01am $12.81 later for a water and a simple turkey sandwich. Give me a God-damn break. Two words: Write off.

6:05am How is it possible that in 2015 there aren’t any electrical outlets to plug my iPhone into?

6:15am A two-year old cries. Please don’t be on my flight. Please don’t be on my flight. I immediately quote Frank Underwood from “House of Cards”, “I’m not going to lie. I despise children. There, I’ve said it.”

6:26am I get emotional for three seconds because the last time I flew to NYC, I did so with my ex. This time, I’m flying by myself.

6:40am Time to drop the kids off. I’m very particular. I pack baby wipes. And I’m very thorough. Very thorough.

6:55am I place a call to my mom to check in with her.

7:06am Getting ready to board the plane. We are scheduled to depart at 7:30am and arrive in NYC at 3:55pm. Upon first glance, it seems like a long flight. But it’s due to the time difference. In other words, when our plane takes off, it’s 10:30am in NYC. And the two-year old is not on this flight. Thank God.

7:15am Selfie time. One take only as I hate selfies. This picture will kick off today’s blog entry. Not bad considering I’ve been sleeping three hours each night for the past seven days…and I’m hung over (Boom!) Thank you Sayaka Miyatani for the bottle of champagne!

7:30am Time to sleep!

This is where my iPhone shifted into Central Time:

11:15am I get up to stretch my legs and use the bathroom. I walk dizzily down the aisle towards the bathroom. I am definitely hung over (Boom!)

11:32am I can’t fall back to sleep because the guy across from me is absolutely gorgeous. I’m marveling over how immaculately groomed his facial hair is. Till this day, I still don’t know how to keep my facial hair on point.

1:35pm I wake up. I guess I WAS able to fall asleep again. I fall back asleep.

This is where my iPhone shifted into Eastern Time:

3:42pm I wake up and become emotional when I see Lower Manhattan and the new World Trade Center building. I’ve never seen the magnificence of this building before in person.

3:55pm I grab my carry-on luggage and exit the plane. My brother-in-law picks me up in his fabulous BMW (I joked to him that I felt like I was receiving the Hollywood treatment by being picked up in a BMW.)

And the rest of the day was catching up with family–refer to the first paragraph 🙂

I look forward to filming on location!