What Are Your 1st Quarter Wins?

Hello! The first quarter of the year is done, and a second one has begun. Time flies by, doesn’t it?! I thought this would be a good moment to reflect on some of my career wins of 2023. I’d also love to read your wins in the comments section below. This career is for life. It can get easy to lose perspective and think we are not gaining, growing, accomplishing, or winning. It’s easy to forget how great we are. So it’s important to take stock of our wins so that we remain in a state of gratitude within the “grind” of our careers. It also lets me see the A to B to C to D of my progression from one day/week to the next. I see exactly how I have been putting this puzzle together for what I want to achieve this year on the acting and writing sides. So sit back (or lean forward), jump into some of my wins, and I hope to inspire you to take stock of your wins and share them with others.

Acting wins: *Self-tape audition for a role in “Hacks”. *Uploaded my new theatrical headshots onto Actors Access, Casting Networks, Casting Frontier, and IMDB. *Created a pitch “For Your Consideration” email for my agent. *Came back to Scene Study 3.0 at the Richard Lawson Studios and started attending the first four weeks via Zoom. Now, I’m physically back in person. *Submitted my picture and resume to a feature film. *Secured commercial representation. *Celebrated the 29th annual SAG Awards and concluded my time on the SAG Awards Nominations Committee. *Celebrated the Academy Awards. *Casting director Stacey Pianko provided feedback on my self-tape audition as part of the SAG-AFTRA Foundation Casting Access program. *Emailed thank you message to Stacey Pianko. *RSVP’d for another casting director workshop with Emily Fleischer through the SAG-AFTRA Foundation Casting Access program. Keep reading below 🙂

Writing wins: I was gifted the latest version of Final Draft to continue rocking and rolling on my writing. *Submitted my feature film script to the following writing competitions: Page Awards, Script Pipeline, and Screencraft. *Submitted my half-hour pilot script to the following writing competitions: Page Awards and Script Pipeline. *Re-edited my TV series bible. *On February 12th, I started posting my weekly blog entries again!! *Read different industry articles. *I generated 12 story ideas utilizing chapter one of “My Story Can Beat Up Your Story” by Jeffrey Alan Schechter. *Researched classes at the Sundance Collab. *Reached out to different organizations to take my blog to the next level. Keep reading below 🙂

Ongoing acting and writing wins: *Watched different shows and movies to find scenes to do in class. *Posted updates consistently on Instagram stories, Facebook, and Twitter. *Weekly relationship map outflow. *Practiced sides weekly to keep my memorization skills sharp. *Adhered to my policies every single week. *Writing sessions every Wednesday with Kelly Tighe for the feature film script being developed in PDP 3.0. *Looked up casting director workshops through the SAG-AFTRA Foundation Casting Access program. Keep reading below 🙂

At the Richard Lawson Studios, we teach the concept of “arrogance”. The particular definitions we focus on are “claiming for oneself” and “pride”. Pride in what I am creating and accomplishing. And if those definitions don’t inspire you to let your light shine, then I’d like to share a quote by Marianne Williamson that Kelly recently reminded me of:

The Final Chapter: 7 Story Ideas in 7 Days.

Last Sunday, I updated everyone on how it went with the challenge I gave myself to generate 7 story ideas in 7 days: https://chasingthegeorge.com/2023/03/26/7-story-ideas-in-7-days-part-2/

I ended up generating 12 story ideas! I also mentioned last Sunday that I would complete the second part of the story generator exercise in chapter one of “My Story Can Beat Up Your Story”, by Jeffrey Alan Schechter: Try to give your story ideas a strong wish fulfillment, emotional dimension, market-savviness, and originality. Any that don’t hit all four points, take out behind the barn and Old Yeller ’em. Of the ideas that survive, put the best one aside for later.

Here are some of my observations. 1) Of the 12 story ideas I generated, two were a YES because they fulfilled the four categories above the strongest. Four story ideas were MAYBES, and six were a NO. These maybes and nos were weak in at least one of those four categories. Keep reading below.

2) With the exception of three story ideas, I was able to find similar movies within the same zip code for the other nine story ideas. And at some point, I’ll watch the trailers of all the movies I wrote down during my research. Fun fact: For one of the story ideas I generated, there were a ton of movies already made about it. Who knew that feature films about bakers were so popular? LOL. Keep reading below.

3) From doing these chapter one exercises, it helped me to revisit an idea I’ve been wanting to develop further for a while. I was able to carve out this idea a little more, and it won’t leave me alone. I ran it through the four categories and it came out as a yes as well. Keep reading below.

4) I was pleased that I was able to set up the orphan status for each protagonist I created over the 12 story ideas. Some were more orphaned than others, but they were all orphans. What do I mean by an “orphan”? According to “My Story Can Beat Up Your Story”, every protagonist travels through four character archetypes within a feature film (orphan, wanderer, warrior, and martyr.) Each archetype represents a specific moment of the protagonist’s journey, and they help them fulfill a complete arc of change from beginning to end. Every protagonist starts as an orphan of some kind. They stand out or are different in some way because of their choosing or because society sees them as that. Some unfortunate or challenging circumstance has already fallen upon them when the movie starts or will fall upon them. We immediately empathize and root for the protagonist because we see their orphan status in the first act. Keep reading below.

5) Even though I came up with 12 story ideas, there were only a couple that I would consider developing further. Again, I’m not being critical of or judging what I generated. What I mean is that I want to be passionate about the things I write. I don’t want to devote my time to writing a script I’m not passionate about. Being passionate about what I want to write was a big takeaway from this exercise (and a reminder.) Now, I think it’s time to throw my hat into the ring and take this nine-week feature film course through the Sundance Collab. I just have to choose which idea to take with me!